Laine Forrester travels to France to be the matron of honor at her best friend’s wedding. The castle setting and the events leading up to the wedding make it seem like something out of a fairy tale.
But a couple of events bring the fairy tale crashing into real life problems. For one, the groom’s estranged brother from Ireland, Cormac, shows up just before the wedding to ask him to come back to the Foley home for an urgent need.
Laine’s friend asks her to come along. Laine hasn’t told her of her own crisis and crossroads. Now doesn’t seem like the time. But the invitation is a perfect excuse to get away for a while with her adopted daughter, Cassie.
The Foleys have been bequeathed a castle from a customer’s will. They didn’t know her well and can’t figure out why she willed them a castle. Cormac’s father, Jack, just wants to call an auction house and sell everything. But Cormac feels he needs to find out what’s behind the gift. Laine’s father was an antique dealer, so she helps Cormac evaluate which items are of value.
This novel weaves together stories from three timelines, all revolving around the castle. One takes place in the 1790s during an uprising between the Irish and English. Maeve’s family owns the castle, but her father is immobilized in grief over the loss of his wife and son. So she has to take the reins. One of her first tasks is to deal with a wounded enemy.
Another strand of the story takes place during the 1916 Easter Rising. Issy’s family now lives in the manor house, but her brother goes against her father’s wishes to join the rebels. Issy feels compelled to join him, and her budding interest in photography helps document events.
As Laine and Cormac investigate, they discover more of the castle’s surprising past. They each take steps to overcome their own past wounds to be open to new possibilities.
I knew, of course, that the Irish had fought against English control at intervals. But I didn’t know many of the details. I enjoyed learning some Irish history through this book. But I also enjoyed the stories in each timeline and the obstacles each character had to overcome.
And often, whenever I cam to a stopping place, music from the Irish Tenors sprang to mind for the next little bit. 🙂
A few quotes:
[Sean] was of a sort to look far down a path—he always said, to see the good that could come of something God was crafting behind the scenes, one had to keep an eye out for it. And Issy needed that view at present because she failed to see it (p. 50).
The talk of luxuries went far deeper than a gift of fruit. Maeve knew that. Theirs were the longstanding divides between the rich and poor, Protestant and Catholic, Anglo and Irish, even oppressed and free—for hundreds of years. They’d bled into the very earth beneath their boots, and it was tasked to her to either uphold or endeavor to change attitudes around them (p. 162).
Writers are the caretakers o’ history, Byrne. We document the livin’ and dyin’ of the human cause. But our pen, however noble, however well-intended, will always bleed the color of our convictions (p. 181).
I also enjoyed Kristy’s notes at the end concerning what led to her writing the novel, her research trip to Ireland, and the true historical details she included.
All in all, this is another great book by Kristy with three stories in one.