Modern writers are told they need to hook the reader within the first couple of pages–preferably the first few paragraphs.
Fiction writers are also instructed not to write long descriptions and backstory. Instead, they’re told to tuck necessary details in here and there.
They’re also told to “Show, don’t tell.” You don’t say, “Sue was angry,” or even worse, “Sue was very angry.” You show her actions and let the reader infer what she felt: “Sue’s face reddened as she stomped out of the room and slammed the door.”
Other widespread writing advice: Use strong verbs and nouns, fewer adjectives and adverbs. Write shorter paragraphs. Cut everything that’s not absolutely necessary.
Old books are written differently.
They might start with the character’s ancestry three generations back and give us a detailed description of himself, his job, his home, and his family before we get even a hint of what the story is about. They generally “tell” more than they “show.” Their paragraphs, and sometimes even their sentences, are long and circuitous.
It’s not that the modern style of writing is right and the old way is wrong. Some books have continued to sell well for centuries even with their wordier construction. Different styles fit different times.
Older writers might be appalled at our modern lack of patience. But we not only have shorter attention spans–we have a plethora of material to read. If something doesn’t capture our interest right away, we move on to the next option.
I wonder if people savored reading more when they had fewer choices. I think they must have looked on reading–fiction, at least–as a time to anticipate and relax.
Italo Calvino has written, “A classic is a book that has never finished saying what it has to say.” It still speaks to us today.
I think of it a little like traveling to a longed-for destination. Before you can get there, you have to make plans, book flights, pack, and endure the journey–all things I don’t like about travel. But most people find the destination with the effort.
It might help to ask for recommendations from a friend or Google classic books in a genre you already like. Finding out a little about the background and author aids understanding as well, but I caution you not to read the introductory material in many classics written by someone other than the author. Those seem to assume the reader is already familiar with the story and give away too much. (I’m still steamed at the writer who tossed out the ending of Anna Karenina like it was common knowledge and ruined it for me).
There are blogs and podcasts like The Literary Life Podcast which shed light on specific titles. I listened to their discussion of Dracula alongside my reading. I didn’t think I’d like the book, but I gained so much more by what I learned from their knowledge and discussion.
So I encourage you to be patient with older books and give them time. Accept that they may be more wordy and take a while to get where they’re going. But the payoff in a recognition of human character or a bit of wise insight is usually worth it.

As writers and readers, we can learn many lessons from past writings. There were great stories written in the past and there are great stories written today. I appreciate readers of all ages. 🙂 Blessings.
I always feel like it takes a while with an older classic to “get into” the flow of the writing. Yes, it’s often slower and wordier. I think technology and the vast amounts of always-available information today have made us all a little ADHD with reading (at least, I notice this with myself). I agree that taking the time and patience to read a classic is almost always worth the effort!
I love the classics. A great way to start is begin with the shorter ones and slowly head to the longer ones.
I thoroughly enjoyed this post! I think that reading older books and classics takes more patience than newer fiction. It seems that newer books seem to need to catch your attention right away and so forgo details and background issues. I agree it takes patience to read some classics by authors like C.S. Lewis. His looog sentences make me have to slow way down and sometimes have to re-read. But they are treasures.
I like the writing concept of showing rather than telling what you are writing about. Two of my favorite authors Jan Karon and Miss Read (Dora Saint) write with lots of descriptions and it makes you really feel you are there with them.
Well, this was a timely post for me, my friend! I’m still wading my way through Middlemarch. It isn’t that it’s boring or that I can’t get interested or even that it is a bit wordy. I think I should have read the book before I saw the movie. 🙂 I think you are correct in your thinking that with the older books being written in a time when people looked at reading as a time to relax and enjoy the written word…it was almost like it was “entertainment”. One of the things that I am looking forward to this autumn, and winter is making my way through some of the books in my TBR stack. xx
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This is very interesting. I have never really even thought about the different writing styles of older books versus more current ones.
There’s nothing quite like getting lost in the pages of an old book. I grew up reading, and immersing myself in the story being weaved, as a form of escapism. I seldom get that same experience in today’s fast-paced writing.
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