Mrs. Tim Carries On is a sequel to Mrs. Tim of the Regiment. Like the first book, this is written in a diary format and based on author D. E. Stevenson’s own experiences.
Major Tim left for France during early 1940, leaving Mrs. Tim—Hester—home in a small English village with their daughter, Betty. Their son, Bryan, is away at preparatory school but comes home on holidays.
Hester writes that she decided to use her diary as an escape from war news and not mention it unless it affects her directly. So, at first she writes of old friends mentioned in the first book, amusing anecdotes of Betty, squabbles among servants, and such. She heads up the “Comfort Depot,” which involves collecting things for the soldiers and setting them out for the men to choose from.
The only mention of the war in the first part of the book has to do with shortages and an increasing number of Polish soldiers who have escaped from Hitler’s advances there. The community seems to receive them generously. Some of them can speak English or French, so they can usually find someone to communicate with.
The daughter of a friend, Pinkie, comes to stay with Hester indefinitely. Pinkie was a little girl the last time she was seen, but now is a beautiful seventeen-year-old, and several of the men fall in love with her. But she sees them only as friends.
Things turn a little somber in Part 3 when several more countries have fallen to Hitler and Hester has not heard from Tim for several months. Then in Part 4, she visits her brother in London and experiences bombs dropping in the streets and constant airplanes buzzing overhead.
There’s one odd new character, a Miss Brown Winters, who thinks she has lived several other lifetimes, mainly in ancient Egypt. Hester doesn’t believe her but finds her “interesting.”
Once again, there’s not much of an overall plot arc–the story is more just reflecting everyday life during that time.
Some of my favorite quotes:
[I] repair to the kitchen in a cheerful frame of mind. Cheerful feelings are soon dissipated. The kitchen is extremely warm, but the moral atmosphere is at zero. Mrs. Fraser, my large and terrifying cook, is waiting for me with a grim smile. I enquire in trembling tones whether anything has gone wrong. Mrs. Fraser replies that that depends. Having long and bitter experience of domestic catastrophes I am prepared for the worst (p. 5, Kindle version).
Her eyes are full of tears and I realise that she must be comforted, so I proceed to explain my own particular method of “carrying on”. None of us could bear the war if we allowed ourselves to brood upon the wickedness of it and the misery it has entailed, so the only thing to do is not to allow oneself to think about it seriously, but just to skitter about on the surface of life like a water beetle. In this way one can carry on and do one’s bit and remain moderately cheerful (p. 12).
“All war is awful,” says Guthrie. “It’s a wrong and horrible thing, war is, but we don’t need to worry about the rights and wrongs of war. We tried our best for peace. We tried for peace to the absolute limit of honour . . . but you can’t have peace when a pack of ravening wolves gets loose” (p. 37).
A day like this is a gift from God—or so it seems to me—and it seems all the more precious when it comes at the end of a long dark dreary winter (p. 52).
The daffodils have come in and are blowing like the bugles of Spring in the flower-shop window (p. 58).
I have the feeling that everyone in the world is asleep—but I know that it is not so. All over Europe there are people—men and women—keeping watch. There are aeroplanes, laden with death, speeding across the sky; there are sailors on the lookout; there are thousands of women like me who cannot sleep because their hearts are torn with anxiety . . . all over Europe the shadow of suffering lies. I sit and think about it, and in some strange way it is a relief to give way to misery. It does nobody any harm, for there is nobody to see. Just for a few moments I can take off the mask of cheerfulness. Just for a few moments I can allow myself to think (pp. 113-114).
I sit down on the window seat and prepare to listen, for if there is one thing I enjoy more than another it is a heart-to-heart talk with my son (p. 140).
[On visiting her childhood home] The dressing-table mirror is spotted with damp, and I am not sorry to see its degeneration, for it was never a kindly friend. It was like the friend who is in the habit of saying, “I feel it is my duty to tell you . . .” and it did its duty well. It was always candid about spots or blemishes or untidy hair. I glance into it as I pass to the window and find that its nature is not ameliorated by the passing years (pp. 215-216).
There’s a lovely poem called “Dunkirk 1940” which Stevenson shows as coming from one of the men. It’s too long to include (but I found a copy here). It tells of the Israelites’ miracle of the Red Sea parting, and the men at Dunkirk wishing for a similar miracle, to escape on dry land. But God provided a different miracle for them: “A double miracle to set us free –
Lion-hearted men, calm sea,” and hundreds of boats of all sizes.
I enjoyed this book much more than the first one. I can’t put my finger on why. Maybe because the characters were familiar to me, or maybe because the story had more touching moments mixed in with the lighter fare..







