Review: Code Name Edelweiss

Code Name Edelweiss

Code Name Edelweiss by Stephanie Landsem is a novel based on a true story.

In 1933, Hitler’s rise to power in Germany causes concern for many. But Liesl Weiss doesn’t have time to pay much attention to him. Her husband is missing, and the police assume he just abandoned his family. Liesl is the sole provider for her two children as well as her mother and brother. When Liesl is suddenly fired from her secretarial job at MGM, she desperately looks for another position.

She interviews with a Jewish lawyer named Leon Lewis and learns that what he needs is a spy. An organization called Friends of New Germany appears to help German Americans, especially veterans. But Lewis thinks the leaders are up to something nefarious. He wants Liesl to work as a secretary for group, keep her eyes and ears open, and report back to him.

At first, Liesl thinks Lewis’ fears are unfounded. Her bosses seem very nice. Some of their documents could be taken the wrong way, but aren’t blatant.

As time goes on, however, the group’s stance becomes clearer. Yet there’s not enough concrete evidence to report them. Lewis meets with officials in Washington, but they think he is overreacting. Everyone’s focus is on the Communists, not the Nazis.

Lewis has another operative in the group, known only as Thirteen. He and Liesl don’t know the other’s identity. As he works his way up in the group, he becomes more alarmed. He knows they are up to something, but he can’t find clear details.

Finally Liesl’s and Thirteen’s paths converge. They take more risks to get the information they need, but put themselves in danger to do so. When they finally learn the group’s plans, will they be too late to stop them?

The last several chapters kept me on the edge of my seat.

I think Liesl was like a lot of Americans at the time–preoccupied with her own problems, disbelieving anything bad was going on, then thinking there was nothing she could do anyway. But slowly, she comes to realize that she has to intervene. Lewis shares a quote with her: “If not me, who? If not now, when?”

Then as she rises in the Friends of New Germany organization, she has to deal with misunderstandings from her mother, friends, . . . and her Jewish neighbors.

Some of the other quotes that stood out to me:

I loved my country, but also I loved my German heritage. Would I be forced to choose between the two? (p. 64, Kindle version).

He thought maybe he had it figured, the question that had hounded him since Monterey, the one about why God allowed evil like Winterhalder and the Nazis. Why he didn’t stop them. He guessed that God did stop them—but not with fire and brimstone or smiting like Wilhelm would have done. No, he used people—good people like Leon Lewis, not-so-good people like himself. Gave them what they needed to work with and let them at it. Wilhelm would sure prefer the fire and brimstone, but maybe that’s why God was God . . . and he wasn’t (p. 348).

Adolf Hitler and his religion of anti-Semitism was not a Jewish problem. It was my problem. And if good people did nothing, the evil around us would continue to grow and flourish (p. 90).

The faith element is more subtle here. At first Liesl’s relationship with God is strained: she can’t understand why He would allow her husband to leave. She’s burdened with the pressures of providing for her family and feeling like she is not giving her children the time they need. Thirteen is not particularly spiritual at first. He says at one point that most people weren’t born bad, but were made that way–which is not true, Scripturally, but which shows where his thinking is at the time. But both of them gradually come to stronger faith and dependence on God. 

I enjoyed the author’s historical notes. Leon Lewis was a real person who employed a spy network, helped prosecute American Nazis, and prevented assignations and sabotage. The Nazis really were more active here than many realized. The author includes a quote from Hitler saying the Nazis would cause confusion in America and undermine people’s faith in their government, and then the Nazis would help German Americans rise to power (she doesn’t cite the source). One of their goals was to take over the movie studios and use them for their own purposes. Organizations like the Friends of New Germany were real as well. 

The author says her goal “is not to document a historical event but to write a compelling story about how a character reacts to this event, how it affects her life, and how she is changed by what she encounters. One of my favorite quotes about fiction is this: A story doesn’t have to be true to tell the truth. This is what I hope you gain from [the characters’] story: the truth about courage, conviction, and love that both encompasses and transcends the historical record.”

I think she succeeded.

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Review: On the Edge of the Dark Sea of Darkness

Dark Sea of Darkness

On the Edge of the Dark Sea of Darkness is the first in the four-part Wingfeather Series by Andrew Peterson. Amazon recommends it for children in third through seventh grades

The story takes place in the mythical land of Skree, which has been taken over by life-size lizard-like people called Fangs, whose leader is Gnag the Nameless.

The book’s main focus is the Igiby family: mother Nia, grandfather Podo, and children Janner, Tink, and Leeli. Podo is an old pirate with a pegleg, but he’s amazingly agile. Leeli’s leg is crooked, and she walks with a crutch. The children’s father died some time ago, and Janner is disturbed that his grandfather and mother won’t allow questions about him.

Despite the oppressive Fangs, life is fairly peaceful in Skree.

Oh, yes, the people of Skree were quite free, as long as they were in their homes by midnight. And as long as they bore no weapons, and they didn’t complain when their fellow Skreeans were occasionally taken away across the sea, never to be seen again. But other than the cruel Fangs and the constant threat of death and torture, there wasn’t much to fear in Skree (p. 3).

But then the children have an altercation with one of the Fangs, Slarb. The children are put in jail but released when their mother gives the commander some of her jewels.

But now they are on Slarb’s radar.

And Janner didn’t even know his mother had jewels. Between that and the secrets surrounding his father, Janner wonders what else his mother is hiding.

The tension escalates into a classic battle of good-vs.evil with a surprise revelation at the end.

Alongside this plot, the children have normal fusses with each other and learn to face fears.

There seems to be some symbolism or allusions to Christian themes like in the Chronicles of Narnia. The family prays to “the Maker.”

One GoodReads reviewer said “Peterson intended this to be the ‘vastness of Lord of the Rings’ with the ‘whimsey of the Princess Bride.'” I don’t know if she read that in an interview: if so, I’d love to find it. It does help understand the tone of the story.

Some of the animals that live in Skree and the nearby forest are skonks, toothy cows (like our cows except they have long fangs and are omnivores), thwaps–like squirrels, a menace to gardens, and flabbits–like rabbits bur hairless with exceptionally long ears..

The danger is real and scary, but humor is sprinkled throughout. In fact, there seemed too much humor in the first part of the book.

I had a hard time getting into the book at first. But once the action picked up and some of the things hinted at came to light, I thought it was very good.

Some of my favorite quotes:

Blood was shed that you three might breathe the good air of life, and if that means you have to miss out on a Zibzy game, then so be it. Part of being a man is putting others’ needs before your own (pp. 23-24),.

There’s just something about the way he sings. It makes me think of when it snows outside, and the fire is warm, and Podo is telling us a story while you’re cooking, and there’s no place I’d rather be–but for some reason I still feel… homesick (p. 70).

Even if hope is just a low ember at night, in the morning you can still start a fire.

An animated series has been made of the books–at least the first two, I think. I have not seen it but want to with my son’s family. It appears to be very well done.

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Review: This Promised Land

This Promised Land

In Cathy Gohlke’s latest novel, This Promised Land, Ginny Pickering Boyden is finally about to realize her dream of traveling to her family’s ancestral home in England. Decades earlier, she had run away to marry her boyfriend before he shipped out to WWII. Her mother and brother disowned her; she lost the baby she was expecting; and her husband came back maimed in body and mind. She cared for him as long as she could, and then he spent the rest of his years in a nursing home. When he died, Ginny spent years recovering and paying off her debts so she could travel.

Now she has just retired from her job when she gets a letter from a lawyer in New Scrivelsby, VA–the town where her family owned a Christmas tree farm for generations. The letter says her brother has died and there is a problem with his will. She needs to come and settle the family business.

Ginny doesn’t want to go, but doesn’t seem to have a choice. She plans for a quick trip to sign whatever papers are needed, see her parents’ graves, and then get on with her life.

But the situation is more complicated than she thought. Her mother, who had died long before, had actually left the Christmas tree farm and family home to her. Her brother, Harold, had told his sons he was leaving everything to them, but he couldn’t since he didn’t rightfully own it.

On top of that, Harold was not in his right mind his last few years. Despite his son’s efforts, Harold took out a sizeable loan and didn’t pay two years worth of taxes.

Even if Ginny wanted the farm, there’s no way she could pay its debts. She has no choice but to sell.

Harold’s son, Luke, has been running the farm almost single-handedly. He believes his father’s lies about Ginny and figures she’s swooping to claim everything and sell it all, leaving him high and dry.

And then Harold’s other son, Mark shows up. A Vietnam veteran, Mark has been in and out of trouble with drugs and alcohol. He did some time in jail while his three children were placed in separate foster homes. All he wants is to sell out his part of the farm to his brother so he can try to make a new start with his children. He’s stunned to learn that his brother doesn’t own the farm.

All the branches of the family tree are fractured and barely holding on. Harold is angry and barely gives Ginny or Mark a chance. His longsuffering wife, Bethany, urges patience and grace. Mark’s children desperately need stability, but his addiction recovery is fragile.

They decide to try to maintain the farm through one more Christmas season to see if they can recover their losses. If not, Ginny will sell and divide the proceeds between them. Though keeping the farm is uncertain, Ginny hopes the rifts can heal and they can become a true family, something they all need.

Unbeknownst to them all, they have enemies without as well as within.

The Bible story of the prodigal son comes up often in this story, with Ginny realizing she has been in the place of both the prodigal and the resentful older brother. Now she wants to be like the welcoming father. But all the family’s problem make it difficult.

Ginny enjoys the hobby of pressing flowers and making pictures with the dried blooms. She shares this with the children and even uses their creations to make framed art to sell to help the farm. Along with the interesting process of how flowers are dried and pressed, the process symbolized that “something so pretty and permanent could come out of something as short-lived as a rose” and “life was not done–simply waiting to bloom again.”

I have enjoyed all of Cathy’s books that I have read, and this one is no exception. The characters are well-developed, and the faith element is woven in naturally. It’s easy to sympathize with all the characters and their struggles. I like how the author brought everything together in the end.

I listened to the audiobook, nicely read by Sarah Zimmerman.

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Review: Crimson Roses

Crimson Roses

In Grace Livingston Hill’s novel, Crimson Roses, Marion Warren has been taking care of her ill father for five years. They had always planned that she would go to normal college and become a teacher, until his accident.

Now he has passed away. They had discussed that she would have the house and her brother the life insurance money. But a will can’t be found. So her brother, Tom, feels the best thing to do is sell the house and buy a farm in Vermont (which his wife strongly wants to do). They plan that Marion will always have a home with them, where she can help with the housecleaning and teach their children (basically, act as unpaid live-in help).

Marion’s practical mother, who died years before, always called her husband a visionary, not necessarily meaning it as a compliment. Marion takes after her father, while Tom is more like their mother. Marion mildly protests that she doesn’t want to live on a farm in Vermont, she wants to stay in the city, go to school, attend lectures and concerts and such. Tom says these are “foolish notions,” and she’s too old to go to school now anyway. Tom and his wife, Jennie, think that Marion is just being grumpy and will come around by the time they leave.

As Marion considers her options, she truly feels it’s best for her to stay in the city. Since Tom and Jenny won’t listen, Marion finds a job and small apartment on her own. She plans not to take any of her father’s assets so they will be able to buy their farm.

When they find out her plans, there is a big blow-up. Jennie (who gets my nomination for worst sister-in-law ever) feels Marion is being selfish. Tom finally concedes that the only way Marion will learn is to let her have her way. In time, when she realizes she can’t make it on her own, she’ll come to the farm with them.

But Marion thrives in her new situation. She’s been out of circulation for several years while caring for her father, and some of her coworkers help her update her look and clothes. Marion draws a line at some of their suggestions, though, not wanting to look like a “flapper.”

Marion’s intense loneliness almost sends her to Vermont. But she hears of a local weekly symphony concert series. If she manages her money carefully, she can afford it.

On the night of the second concert, Marion finds a beauitful crimson rose on her seat. Thinking the rose has been placed there by mistake, she tries to find who it belongs to. But no one claims it. She decides to take it home and enjoy it.

But the next week, a crimson rose is again at her seat. And the next week, and so on throughout the concert series.

Later in the book, when a young man shows interest in Marion, some “mean girls” in the church think Marion’s station is beneath his and act unkindly toward her (fueled by the interest in one of the girls in the young man).

This book was published in 1928, and, of course, is very old-fashioned in style and content. It’s a clean, sweet story–maybe a smidgen too sweet, but just a smidgen. Some of the 20s slang is amusing.

Marion seems a little naive for a twenty-three year old young woman. But that might have been the case in those times. Plus she had been mostly at home for five years.

The theme of the story might be that faithfulness wins out in the end. Through all her tribulations, though Marion struggles, she remains humble and sweet and tries to do the right thing.

I listened to the audiobook nicely read by Anne Hancock. Though the audiobook was released in 2024, the narrator’s style and accent matched the setting in the book.

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Review: He Should Have Told the Bees

He Should Have Told the Bees by Amanda Cox tells the story of two young women whose lives intersect unexpectedly.

Beckett Walsh kept bees with her father until he died unexpectedly. Her mother had left them when Beckett was small. Though memories of her mother are hazy, her leaving sent Beckett into nightmares of monsters when she was a child and panic attacks as a young person and adult. Her father had left his job as a banker to homestead, start an apiary, and accommodate Beckett’s needs. But now he’s gone. Still, Beckett thinks she can do just fine, despite her aunt’s attempts to manage her life.

Callie Peterson grew up with an unstable alcoholic mother who went through a series of men. Now Callie has distanced herself and bought a building to start a new business making candles, lotions, etc. But the building is going to need more work than she thought. And then her mother shows up on her doorstep, claiming she’s ready to seek help. When Callie takes her to a rehab center, she’s unaware that her mother named her as the person responsible for the finances needed.

Both women get a summons about a hearing for a trust that Beckett’s father had set up, naming them both as co-owners of the farm. The two women never knew each other before. Beckett can’t fathom why her father would name this stranger a co-owner when he knows Beckett’s needs and problems. Callie doesn’t, either. But she wonders if selling the farm could help her financial problems. But doing so would oust Beckett from the only safe place she knows.

Both women try to understand why Beckett’s father named Callie in the trust. Their search leads them to secrets and connections they never knew about. Will both their lives be upended–or fulfilled?

I enjoyed this story quite a lot. It was easy to sympathize with each woman’s journey and pain.

The side characters are delightful. Beck is unexpectedly visited by a neighbor in the form of a young girl who says she is an alien. Callie’s booth neighbor in the markets where they sell their wares turns out to be a stabilizing factor in her life.

The book opens with an excerpt of a poem by John Greenleaf Whittier titled “Telling the Bees,” in which beehives are draped in black as the bees are told their keeper has died. Evidently, according to Wikipedia, this is a custom in many European countries. It was even done when Queen Elizabeth died in 2022.

At one point, Callie’s friend points out some sunbeams and says:

They’re called crepuscular rays. And they happen because of light hitting dust. It’s just ordinary, boring particulate floating all around us like it always does, and then bam, the light hits it and suddenly it’s something that makes people stop and take pictures. If that’s not a miracle, then I guess I don’t know what a miracle is (p. 54).

That becomes an underlying theme.

A few other quotes that stood out to me:

If she could stack up all the hurt in the world and sort the kind inflicted with malicious intent from the hurt inflicted by carelessness, how would the two compare? Was there really any difference when the result was the same? (p. 216).

It was a hard lesson to learn—that you couldn’t be the one to fill the holes in another person’s life. Working through dysfunctional patterns, finding healthy coping skills, and letting God heal the wounds the past left behind, those were things you couldn’t do for another person. No matter how much you wanted to (p. 251).

It’s possible for treasured things to come out of the brokenness. Even if it doesn’t happen the way any of us would have wanted. Even if it comes through loss (p. 299).

On a humorous note, it’s fun to notice a particular author’s unique repeated words. In this book and others, Amanda uses the word “scrubbed” a lot (eight times in this book)–she scrubbed her eyes, he scrubbed his hand over his face. And hearts tend to “stutter-step” when upset. And people “worry” their bottom lips.

Amanda doesn’t have end notes about the story, but there is an interview here where she discusses the book.

All in all, I’m happy to recommend this book.

(I often link up with some of these bloggers.)

Review: All the Lost Places

All the Lost Places

In All the Lost Places by Amanda Dykes, Daniel Goodman is a former thief in 1904 California who is trying to make restitution. He saves money from his lowly wages to repay those he robbed from. He has not seen his mother since he got out of prison: he feels he can’t face her until he has righted his wrongs.

When he hears that his mother may lose her home due to lack of finances, he looks for additional work. A seemingly chance encounter finds him interviewing with a man whose boss wants to make a “little Venice” in CA. At first Daniel applies just for physical labor. But upon finding out that someone is needed to translate one of Daniel’s favorite books and travel to Venice to sketch famous buildings, Daniel pushes hard for that role. His mother had come from Venice. She had sent him the book in question when he was in prison. He used to be able to draw–a head injury has left him unable to draw from memory any more, but he can draw something if he can see it.

The man is skeptical at first, but when Daniel draws a nearby building for him, the man agrees.

Daniel had kept himself pretty isolated after his prison confinement, so traveling and interacting with so many people is a strain on his nerves. He barely arrives in Venice when he literally runs into Vittoria, a bookseller. One of his tasks is to try to find the original copy of the book he’s supposed to translate, The Book of Waters. Daniel’s copy is one of only a few, which are all unfinished. It’s hoped that the original will have the closing chapters. He enlists Vittoria’s help to try to find the book.

As Daniel translates, he’s drawn into the story of Sebastien, who was put in a basket and floated toward an orphanage in Venice in 1807. Instead, a gondolier notices the basket, picks him up, and takes him to a guild of five artisans, who adopt him and train him in each of their skills. Though Sebastien loves his blended family, he wrestles all his life with his identity and purpose. One day, a woman washes up on the shore of the island Sebastien lives on, changing both their lives forever.

Sebastien’s story occurs when Napoleon had taken over Venice. Some Venetians planned that at some point, they would revolt and set up their Doge, or governor.

Sebastien and Daniel wrestle with some of the same questions. Though Daniel knows his origins, he can’t free himself from the guilt and losses of his past. Yet just as Venice was “the city that came from a swamp . . . a lost place that grew hope,” perhaps God can build something new and beautiful on the swampy places of a man’s life.

The Napoleonic era is one I know very little about, and I was glad to learn more of that time frame and Venice’s history. Amanda shares a lot of interesting details in in her end notes, including the fact that an Abbot Kinney really did build a “Venice of America” in CA in the early 1900s.

Some of the quotes that stood out to me:

Isn’t that the way of miracles? Something extraordinary because of the faithful ordinary (p. 53, Kindle version).

Found means someone was searching for you, running after you. You, the greatest treasure in all the world. That is what Trovato—Found—means. Sebastien Trovato, you are Found. Always and forever (p. 74).

Life had taught them hope was a dangerous and fragile thing . . . Faith sang a different song: hope was as necessary as breath, and so strong that it carried its own heartbeat (p. 115).

He dug instead for the tiniest slip of hope. And in doing so, hope became . . . purpose (p. 120).

Mosaic . . . it is the art of empty spaces. Broken things, harvested as treasure and pieced together into something entirely . . . different. Old, but new. Broken, but whole (p. 219).

“Do not be downcast, O your soul!’” He raised his face to the sun, reciting a psalm—or what sounded like one.
“Do you mean ‘O my soul’?”
“My soul is very happy in this moment. I mean your soul” (p. 249). 

Perhaps you are becoming a new tool for a new work. God is not bound by the way things used to be (p. 254).

She stood before him, inches and a universe away, all at once (p. 285).

Amanda’s writings always touch the heart. This book took a little longer for me to get into than some of her others, but I loved how all the threads came together in the end.

(I often link up with some of these bloggers.)

Review: Up from the Sea

Up from the Sea by Amanda Dykes

Amanda Dykes’ novella, Up from the Sea is a prequel to Whose Waves These Are, one of my all-time favorite Christian novels.

Savannah Mae Thorpe was raised in Georgia, but is taken in by an aunt and uncle in Maine after her parents die. Savannah is more comfortable walking in the forest than the ballroom with her cousins.

When her cousins and their friends tell of an old legend, Savannah recognizes it as a variation on a story her mother told of a young woman who buried a small chest under what came to be known as the Atonement Tree, asking forgiveness while an unknown observer watched.

When Savannah discovers an updated version of the map her mother drew as a child, she goes with her cousins and Alistair Bliss, a local woodsman and employee of the family, to see if they can find the tree. What they discover has ramifications for all of them.

Along with Savannah’s “fish out of water” story, there are hints of troubled secrets in Alistair’s past, Savannah’s uneasy relationship with the cousin she used to count as a friend, and some Revolutionary War history.

Some of my favorite quotes:

Darkness comes, Savannah my girl. But don’t you let it steal your light.

I have a feeling no matter how mixed up the problem is, the answer’s almost always the most simple thing hiding beneath all our worries. That if we scale it back and look for the simplest truth—there lies the thing to do.

So many dashed hopes between the three women present within, yet it felt like a gathering place. God’s hand moving and weaving, stitching these unlikely hearts to one another.

So far, I have loved everything I’ve read of Amanda’s. This was such a sweet story. I loved the development of Savannah’s relationship with Alistair (who becomes the father of the brothers in Whose Waves These Are). I think both books could be read on their own, but they go well together.

Review: Good Hope Road

Good Hope Road by Lisa Wingate

Good Hope Road by Lisa Wingate begins with a tornado hitting the small town of Poetry, Missouri. Twenty-one-year-old Jenilee Lane is home alone, her father and brother having gone to a cattle auction in Kansas City.. Their house is spared, but Jenilee discovers her elderly neighbor, Mrs. Gibson, and the woman’s granddaughter trapped under debris across their storm cellar.

Jenilee and her family had not been close to their neighbors. Jenilee’s father had a bad temper and kept the family to themselves. They were often regarded as “white trash” by the townspeople. But Jenilee is the only help available, so she gets her neighbors out from the cellar just before Mrs. Gibson’s son and daughter-in-law come.

To keep busy, Jenilee and Mrs. Gibson go to the armory, the only large building in town still standing. Along the way, Jenilee picks up pieces of debris she finds: parts of letters, pictures, certificates.

The veterinarian is the only medical help at the armory until a doctor stranded in the storm is brought in. Jenilee had worked for the vet and seems to have a natural way of calming frightened people while they wait for help.

Jenilee continues going to the armory while waiting to hear about her father and brother. One day she decides to tape the paraphernalia she found on a wall there so people can find their lost treasures. This blossoms into giving hope to people.

Mrs. Gibson begins to see there is more to Jenilee than she’d thought. She also runs into an injured man at the armory with whom she’d had a long-running feud. At first she can’t spare a kind word for him. But she sees sides to him that she had forgotten were there.

As neighbors help neighbors and helpers come from others areas, they see each other with fresh vision and discover good things can arise from tragedies.

The book touches on multiple themes: the difficulties of an abusive family; how we can too easily misjudge others; the need to let go of the past; the fact that difficulties can bring out the best and worst in people; and faith, hope, and forgiveness

Some of my favorite quotes:

I walked to the kitchen, shuffling the way I do when my knees are like old plow handles and my joints are rusted shut.

It’s humbling to realize maybe you ain’t as good as someone you’ve spent years looking down on.

That part of you that wants to care for other folks is like fresh milk. You might as well pour it out as you go along the path. It don’t . . . keep in a bucket . . . very long.

In town after town, people were building anew. Towns just like our own—small, imperfect places beneath which hid the potential for something larger, something stronger, something we may never have seen, if not for the disaster.

The book is the second in a series of five, the sequel to Tending Roses (linked to my review). It’s been a few months since I read the first book, but I didn’t see any characters I recognized in this one. In the author’s notes at the end of the book, she explains one distant connection with the first book which will be delved into later.

There were a few “damns” and misuses of the Lord’s name. But otherwise, this was a great book.

Review: Between the Sound and Sea

Between the Sound and Sea

Between the Sound and Sea is “Inspirational Contemporary Fiction with History and Mystery at a North Carolina Lighthouse.” The Sound in the title is Pamlico Sound in the Outer Banks of NC, but the title has several layers of meaning.

Josephina Harris–Joey–owns a fledgling event-planning business in Copper Creek, TN, where she grew up. She had helped her father and brother in their restoration business until her father retired and sold the business. But the new owner cheated people, who, for some reason, blamed Joey’s father. Her parents decided to make a new start in Florida. Joey’s customers have cancelled events one by one

When Joey’s friend sends her an ad about help wanted to restore a lighthouse and cottage on a North Carolina island, Joey decides to apply. If she gets the job, it will give her an income to tide her over and give her time to think about what she should do next.

Joey travels to NC and meets the owner of the lighthouse, 81-year-old Walt O’Hare, and his grandson, Finn. Walt had grown up in the area but left after WWII. His best friend, Cay, short for Cathy, had been the lighthouse keeper’s daughter. During the war, her father’s body had mysteriously washed up on shore, but Cay was never found and presumed dead. Walt wants to restore the lighthouse in their memory. Finn is not so sure this idea of his grandfather’s is a good one and is even less sure Joey is the person for the job. But he acquiesces.

It soon becomes clear that Walt has other reasons for wanting to restore, reasons which he is not sharing.

The people in town tell of strange things happening on the island over the years. Some say ghosts inhabit the island. Others say Cay’s father was working for the Nazis.

As Joey begins restoration, she finds patched-up places in the lighthouse’s inner walls. When one area begins chipping, she discovers what appears to be a lighthouse keeper’s log inside–but the events described don’t match the official logs.

Local lore describes a “Saint Mae” who rescued people lost at sea. Could these logs belong to Mae? But who is she and why is she not listed among the lighthouse keepers?

When accidents and unexplained things start happening around the lighthouse and cottage, Joey wonders what’s at the bottom of it all.

Besides the lighthouse mystery, Joey, Walt, and Finn all deal with regrets from their past and indecision about how to handle the future. There’s a secondary story line involving a teenage boy with a troubled past.

I enjoyed how the story unfolded, sharing what really happened with Cay, who Mae was, how everything connected, and how each character found peace. The restoration of the lighthouse seemed a subtle metaphor for the needed restoration available to each character.

I also loved that the author had Christian characters doing Christian things without being heavy-handed about it. Some Christian fiction is so subtle, there’s almost nothing Christian about it. It’s refreshing to find truly Christian fiction.

A couple of favorite quotes:

God meets us right where we’re at. And maybe things in our lives get broken down and beat up along the way. The good news is restoration work is kind of His specialty.

I’m grateful to have played a role, but I wasn’t the planner orchestrating this event.
This one was in the hands of One far more skilled than I, gently guiding even when we were all half certain we’d lost our way.

A couple of well-worded descriptions caught my ear, too: “the comfort of an oversized sweater worn on a crisp fall morning” and “Her voice was wispy like fog over water.”

I listened to the audiobook read by Rebecca Quinn Robertson, who did an okay job. She spoke too softly sometimes.

As I sat down to write this review, I looked up the book on Amazon and reread the first few pages in their free sample. I had forgotten how it began, with an older woman telling a young boy about Saint Mae. I was delighted to realize who those characters were later in the story.

Overall, this was a great read that I am happy to recommend.

Review: Set the Stars Alight

Set the Stars Alight

In Amanda Dykes’ novel, Set the Stars Alight, Lucy Claremont is the daughter of an English watchmaker whose family invites a young “lost boy” into their circle. Dash grew up in America until both parents died. He lived with a distant aunt who wasn’t home much and seemed not very interested in him.

Lucy’s father loved to tell stories and riddles to the children. Many of his stories centered on a legend about a man who lived 200 years before, Frederick Handford. Handford was a seaman who, accused of treason, stole a boat called the Jubilee and was never heard from again. Many had searched for any sign of Handford or the Jubilee, to no avail. Many stories had been told about what might have happened.

Lucy grew up with a love for the ocean and a desire to research and find the Jubilee. Dash grew up loving the stars, after hearing about them from Lucy’s father and using his homemade telescope. Their interests and circumstances seemed to take them in opposite directions until their paths crossed again while researching the Jubilee.

The story shifts back and forth from 2020 to the 1800s and what really happened with Frederick Handford. He was the son of a respected admiral who, since his own glory days, fell to drink. Frederick grew up with his father on one end of the house, drinking and raging, and his mother at the other end, playing parts of Handel’s Messiah. When his mother died, he ran away to escape his father’s rage and neglect. He was taken in by a kind local shepherd, but inadvertently brought tragedy to the man and his family. Frederick spent the rest of his life trying to make it up to them, especially the man’s daughter, Juliette.

Amanda writes in her author’s notes that this story felt like a set of nesting dolls, with many layers and stories within stories. That’s an apt description.

Amanda’s stories have a way of deeply touching hearts. Her characters are real and flawed, yet their stories are redemptive.

One of my favorite quotes comes from the book comes from a poem titled “The Old Astronomer to His Pupil” by Sarah Williams:

Though my soul may set in darkness, it will rise in perfect light;
I have loved the stars too fondly to be fearful of the night.

A few more quotes that stood out to me:

He is coming, and coming, and coming, and coming after you. In every sunset, in every snatch of birdsong In everything that stirs deep into you and makes you hungry for bigger things, eternal things. That is Him, pursuing you with tenderest grace. In the places so hard they wring your soul. In the places so beautiful they steal your breath. He is there, filling your soul, giving you breath.

Made-up tales that stand through time . . . they are echoes . . . of truth.

I think it’s our duty to keep the stories, to pass them on. It is our duty—and our honor. In a world as dark as ours, we—that is, people—forget how to see the light. So we remind them by telling the truth, fighting the dark, paying attention . . . setting the stars alight. There are things shining brightly all along, if we will notice.

Such freedom, to know our limits. And to know the God who has none.

God had a way of redeeming wounds with the strength of others.

Surprise gave way to curiosity, And curiosity–as it was meant to from the time God breathed life into the great wide world–made way for wonder.”

I listened to the audiobook, which was mostly good except the narrator’s diction wasn’t clear in places. I checked out the e-book from Libby to get the author’s notes and look up some passages.

I thought the modern-day part of the book moved a little slowly at times. But overall, this was a lovely, touching story.

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