The Painted Castle is the third in Kristy Cambron’s Lost Castle series, the first two being The Lost Castle and Castle on the Rise.
In modern-day Dublin, Keira Foley is the sister of the two main characters in the previous books. She is an art historian but lost her job, and her fiance broke up with her. She’s working in her brother’s pub for now, until she’s asked to authenticate a portrait of Queen Victoria painted by Franz Xaver Winterhalter. It was discovered in an old manor home whose owner just wants to sort through and sell everything. But Keira doesn’t know if she can trust the man asking: a rumored American art thief. She decides to go with him, and uncovers more questions than answers.
In 1833 England, Elizabeth Meade is shattered when her beloved father is killed. He left her and her mother in dire financial straits, which her mother tries to hide from society. Elizabeth’s only goal in life to to find the man who killed her father and take revenge. Her favorite pastime, painting, is not approved by her mother, but brings Elizabeth joy. When Elizabeth is grown, her mother arranges her marriage to a Viscount Huxley, and Elizabeth is startled to learn he is the very man she thinks murdered her father.
During WWII, Amelia Woods turned the estate into a haven for refugee children after her beloved Arthur died. But now she’s ordered by the English military to house a group of American pilots. Amelia does her best in a difficult situation, trying to shelter the children from the war as much as she can and manage amidst rationing. She and the American captain bond over the books in her husband’s library.
A main character in each timeline is recovering from some kind of loss. Many of the characters learn that though our path isn’t always what we’d planned, we can trust God through it.
Partway through the book, I began to wonder if Winterhalter was a real artist. He was! And the portrait of Victoria was real as well, commissioned by her for her husband’s birthday. It was unconventional for the time, showing Victoria with her hair down and a bit more shoulder uncovered than usual. Albert loved it, but felt it was too intimate for public display, and hung it in his study.
Much historical fiction these days is written with two timelines. Kristy is the only writer I’ve known to weave together three, and though she does it well, I hope this does not become a trend. 🙂 She does a good job keeping us from getting confused by naming the date and location at the beginning of each chapter and orienting us quickly with pertinent details.
I enjoyed the settings and stories as well as the way details were unfolded throughout the book. Each of the characters seemed relatable.
A couple of favorite quotes:
Books are a completely personal kind of journey. On the first page, they ask us not only to be willing but to be moved, changed, persuaded, even made new by the time we reach the end. Everyone’s walk-through is different (p. 104).
Parham Hill seemed to own the strange combination of both peace and pain. Beauty and bitterness. A lavishness surrounded by a coldness . . . They were strange bedfellows to find hidden in the shadow of Framlingham Castle and its quaint little country hamlet (p. 131).
In her author’s notes, Kristy shares that her father was an American pilot in WWII who flew in the very area she wrote about here. And she shares other bits and pieces that inspired her plots.
There are also some interesting bits in the book about H. A. Rey and his wife, Margret. He was born in Germany, and he and his wife were Jews living in France. They escaped on bicycles not long before Paris fell, taking their manuscript of Curious George with them, which became an instant success when they got it published.
Though it’s been a while since I read the previous two books, I felt the last chapter pulled everything together very well and was a fitting conclusion.
(Sharing with Bookish Bliss Quarterly Link-Up)


