I’m not quite sure how I came to read three WWII novels one after another, except that one was a sequel of one of the others, but it did enrich the reading of them, I think. This era is one of my favorites.

I won The Unfinished Gift and The Homecoming by Dan Walsh from Mocha With Linda (Thank you, Linda!)

In The Unfinished Gift, seven year old Patrick Collins’ mother has just passed away. His father is a soldier over in England during WWII and the authorities are having trouble finding him. His social worker takes him to his only known relative, his grandfather, Ian Collins, with whom his father  has not spoken in years. Ian is none too happy about his routine being interrupted by a boy, but has little choice but to take him in. He doesn’t interact well with Patrick, though, and Patrick’s life would be pretty bleak if not for the neighbor, Mrs. Fortini, and his social worker, Katherine Townsend, who has taken a special interest in his case even though her supervisor has told her to move on. When Patrick gets something for his grandfather out of the attic, he spies a partially carved wooden soldier, and he is captivated. But the soldier brings back too many painful memories for Ian, and he angrily tells Patrick not to touch it.

I’ll leave the rest of the story for you to discover. It was a very enjoyable read if a little predictable — I tended to be two beats ahead of the plot line with being able to figure out what was going to happen next. I could easily see it being made into a Hallmark movie.

The Homecoming was not at all predictable. Though I liked The Unfinished Gift, I was taken in more by The Homecoming. Patrick’s father, Shawn, has finally come home from the war, but the army cannot yet let him go. They assign him to what many would consider a dream job: traveling with several actors and actresses on a four-month tour to promote the sale of war bonds. Shawn dreads it both because he doesn’t want to be part of the spectacle, but mainly because it means being away from Patrick for months. He searches for someone to help his father take care of Patrick, and finds that Katherine Townsend is in need of a new job. Shawn’s father, Ian, has not told anyone of the dizzy spells and lack of energy he has been experiencing.

Shawn has a lot on his shoulders with the fresh grief over his wife, the separation from Patrick, and then the news of his father’s declining health. He and Katherine agree to keep their relationship professional, and Katherine knows it is too soon for him to think about another relationship, yet she finds herself attracted to him., besides loving Patrick dearly. And Katherine’s visits to church to take Patrick are awakening a different type of longing in her heart.

Both books are quite heart-warming stories about relationships. The WWII details are just enough to anchor the setting and give you a feel for the times without becoming too much of a historical narrative. One minor criticism is that the author does employ the “not realizing what I have until I’ve almost lost it” resolution in each book — twice, actually, in the second one. But overall I loved these stories and characters. Also, I am not sure why the author had the first character who was a Christian as a part of what I would consider to be a works-based denomination (though one is not saved by denomination but by personal repentance and faith in Christ), but the gospel is clear in both books.

A Distant Melody by Sarah Sundin is one that caught my eye when it was mentioned on several blogs a few months ago, and I finally got it.

Allie Miller is engaged to a man she doesn’t love and who doesn’t seem to love her, yet her parents want the match, and Allie hopes she will learn to love Baxter in time. She hopes she will also finally gain her mother’s approval.

Walt Novak is a young Army pilot with “chipmunk cheeks and a nose like an upside-down kite” who freezes when he encounters a woman who is not “taken.” But on his way home for a wedding during furlough, he encounters Allie, and, thinking she is a mother to the children seated next to her, has no problems entering into a conversation. When he realizes she is not a mother, not married, and furthermore headed to the same wedding he is attending, he is delighted that he still finds her easy to talk to.

By the end of their time at the wedding, he wants to know her better, so they promise to write each other. Allie thought their mutual friend told Walt that Allie was engaged, but when he learns that fact, it sets off a series of misunderstandings between them. Yet they continue to be drawn to each other through all the trials of their respective experiences.

Allie has to wrestle with more than her attraction to Walt and the emptiness of her engagement: she realizes that her parents’ church and views are not consistent with what Allie believes God wants her to do with her life, yet stepping out on her own will have dire consequences, some that she never dreamed of.

I loved that the main characters were not beautiful and suave, muscular and handsome, one of my complaints with much fiction. They are ordinary, they’re flawed, yet the reader is drawn to them and roots for them not only in their relationship but in the difficulties they each encounter in life. There is also great historical detail in the setting and realistic views of war time experiences. I am glad to know there is a sequel out.

Over the past few years I have been reading all of Jane Austen’s books, which I had somehow missed along the way, except for Emma, which I had read way back in a Literary Criticism class in college. I wanted to reread it some day, and that day was spurred on by a recent Masterpiece Theater production which aired last winter.

I wanted to read a copy that was not abridged or modernized, but when I went to by the book, the one shown, with the star of the Masterpiece production, was the only one available. It says it has been “reset” from the Penguin Classics version “which was edited from the first edition” — so I don’t know how much has been changed from the original.

The main character, Emma Woodhouse, “handsome, clever, and rich, with a comfortable home and happy disposition” and “had lived nearly twenty-one years…with very little to distress or vex her” suddenly finds herself at a loss at the beginning of the book. Her governess, who had become more like an older sister over the years, has recently been married, and Emma faces long days entertaining her beloved but very neurotic father. She meets a young woman “of uncertain birth” named Harriet and decides to try to take Harriet under her wing. Longtime family friend Mr. Knightly disapproves. Social classes in that day were much more distinct, and he feared Emma’s raising Harriet’s hopes of marriage only to be disappointed.

But Emma likes Harriet and feels she is doing her a favor. She not only tries to help elevate her to higher society, she discovers the man whom she feels would be a perfect match for Harriet and then does everything in her power to bring them together. Only things don’t go exactly as planned, to put it mildly.

Meanwhile, two different people related to Emma’s friends, whom Emma has heard about all her life but never met, come to town, Mr. Frank Churchill and Miss Jane Fairfax. The former is effusive and charming, the latter is quiet, more talented than Emma, and not forthcoming enough for her tastes. Frank seems to set his sights on Emma right away, but something is not as it appears in this situation, either.

Emma is unlike many of Austen’s other heroines because she is wealthy and secure, and perhaps because of her wealth, she does not seek to marry (as opposed to some of the others needing to marry well in order to survive and provide for their families). But she is similar to the others in that she is charming, intelligent, likable, and sensible in matters other than love and her interaction with Harriet. Yet her intentions are good, and she comes to see her own foibles along the way. She learns “it was adventuring too far, assuming too much, making light of what ought to be serious, a trick of what ought to be simple” (p. 109) to try to manipulate and influence two people into a relationship as she had done.

I’ve read other descriptions of this novel as “frothy” and “a comedy of manners.” But though there are funny, witty moments in it, and it doesn’t have quite the drama of some of the other novels, personally I wouldn’t classify it as a lighthearted comedy. There is genuine depth to Emma’s realizations about herself and her growth as a person. When watching one of the films, one of my sons was getting quite aggravated with Emma and decided he didn’t like her, but I tried to point out that she doesn’t remain that way, she does grow and change for the better. And Mr. Knightly, who is the only person to criticize her, also sees beyond her faults to the person underneath, the woman she could become as she matures.

Some of the more well-known quotes from Emma are:

Silly things do cease to be silly if they are done by sensible people in an impudent way (Emma).

“There is one thing, Emma, which a man can always do, if he chuses, and that is, his duty…” (Mr. Knightly)

“I cannot make speeches, Emma . . . If I loved you less, I might be able to talk about it more.”

“Vanity working on a weak head, produces every sort of mischief” (Mr. Knightly).

Better be without sense, than misapply it as you do (Mr. Knightly).

I had wanted to discuss the film versions of Emma in connection with this review. I have seen three of them and wanted to rewatch two, but with the weeks getting ready to move and then getting settled here, there hasn’t been time. But the first of the films I saw was the 1996 version with Gwynneth Paltrow and Jeremy Northam. Then there was a TV version that same year with Kate Beckinsale and and Mark Strong. And most recently was the 2009 Masterpiece version with Romala Garai and Jonny Lee Miller. Of the three, the Beckinsale version was my least favorite. That Mr. Knightly came across as an old grouch that it seems unlikely anyone would fall in love with, much less a much younger woman. The Paltrow version has long been one of my favorite videos. But the newer version had some scenes that were much closer to the text of the book, and I enjoyed Romola Garai’s more youthful yet still sophisticated version of Emma. Though Ewan McGregor is one of my favorite actors, I did not really care for his version of Frank Churchill, but I think a lot of that had to do with his hairstyle in the film. But no one can beat Jeremy Northam’s Mr. Knightly. Though older than Emma and her sharpest critic, he still comes across as charming and gentlemanly, and it is not hard to fathom the attraction of two of the characters for him.

I’ll leave you with the trailers for two of the versions. I’d love to hear your thoughts on the book or any of the films.

This post will be linked to the Classics Bookclub hosted by the folks at 5 Minutes For Books on the fifth Tuesday of the month as well as Semicolon‘s Saturday Review of Books..

The folks at 5 Minutes For Books host What’s On Your Nightstand? the fourth Tuesday of each month in which we can share about the books we have been reading and/or plan to read. You can learn more about it by clicking the link or the button.

Can it be the last Thursday in August already?! I haven’t found my calendar in all the unpacking yet, so I was caught off guard. I didn’t realize it was time for a Nightstand post until I started visiting other blogs.

I had finished two books just before last month’s nightstand post but had not reviewed them yet, and I was able to do so this month. My review of Chosen Ones by Alister E. McGrath (youth fantasy) is here and The Cambridge Seven by John Pollock is here.

Books completed in August were:

A Matter of Character by Robin Lee Hatcher, reviewed here.

Prints Charming by Rebeca Seitz, not reviewed — mixed emotions on that one from the standpoint of marriage being based on feelings rather than commitments in it.

Maid to Match by Deeanne Gist, reviewed here.

Hoping for Something Better: Refusing to Settle for Life as Usual, a Bible study by Nancy Guthrie — plan to review it soon.

I also finished The Unfinished Gift by Dan Walsh and immediately started on its sequel, The Homecoming, but I think I will review them together. I am enjoying them so far.

I am also still working on Faithful Women and Their Extraordinary God by Noel Piper.

Waiting on my nightstand are Her Mother’s Hope by Francine Rivers, Here Burns My Candle by Liz Curtis Higgs, 50 People Every Christian Should Know: Learning From Spiritual Giants of the Faith by Warren Wiersbe, The Note by Angela Hunt, The Pirate Queen by Patricia Hickman, and A Distant Melody by Sarah Sundin.

What are you reading?

When I saw Deeanne Gist’s Maid to Match popping up on various blogs, I was attracted right away. The book is set in the Biltmore House in Asheville, NC, one of my favorite places to visit, and I have always thought the servants’ areas were almost as interesting as the rest of the house.

Tillie Reese had been trained for service all her life as her parents both worked for the Vanderbilts. Now as head parlormaid at the Biltmore estate, she learns that Mrs. Vanderbilt’s French lady’s maid is returning to France, and Mrs. Vanderbilt will choose among the current staff to replace her. One of the people being considered for the job is Tillie. She’s thrilled at the possibility of earning more money to help her family and others as well as the the privileges of being a lady’s maid.

But a rough newcomer comes to work at the estate, Mack Danver. Tillie’s brother, Allen, has been charged with training Mack, and it will reflect badly on him if Mack fails, so Tillie helps in Mack’s training.

Mack is motivated, though, because his sister is in an orphanage and his younger brothers are living with different families, and he wants to bring them together again. When he finds evidence that all is not as it appears at the orphanage, he tries to set things right, only to cause more problems.

As Tillie helps Mack both at the Biltmore and the orphange, she finds herself attracted, yet romance is not allowed between servants, and she will not let anything interfere with her quest to become a lady’s maid.

I mostly loved this book. Extensive research is evident as the book is filled with historical data, yet in a way that enhances the story rather than interfering with it. I loved learning more about the inner workings of the Biltmore, the Vanderbilts’ innovations and personalities, and the customs of the times.

Yet I had a couple of little quibbles. One was that not much is mentioned about Mack’s beliefs in the first part of the book — in fact, some of his behavior is not reflective of a Christian. But perhaps the point the author is making is that he was leaning on his own strength and trying to right things in the way he thought best until he finally realized he needed to trust the Lord about it.

The second was the level of sexuality in the book. This was the book I had just finished when I wrote about sexuality in Christian fiction last week. I wrestled with this a good bit in relation to this book, because it was handled tastefully and inexplicitly, yet it did still leave me with mental images I’d rather not have had. This would probably have been one of my all-time favorite Christian novels without that element.