Review: The Bitter End Birding Society

The Bitter End Birding Society

In Amanda Cox’s newest novel, The Bitter End Birding Society, Bitter End is a small town in eastern Tennessee with a variety of legends about how it got its name.

Ana Leigh Watkins, the most recent newcomer to Bitter End, plans to spend the summer helping her great aunt Cora sort through her belongings in preparation for selling her house and moving to a retirement community. In reality, Ana needs time away to recuperate from her year of teaching kindergarten. She’s regarded as a hero for confronting a school shooter who entered her classroom. But she remembers the fear in the young man’s eyes and feels she escalated a situation that could have been resolved peacefully. She can’t forgive herself for the young man’s fate and the trauma caused to her students. The praise she receives only weighs her down further.

Ana gets adopted by a stray dog. While taking him for a walk one day, she runs into a neighbor with a group of birdwatchers who invite her to join them. She learns her aunt is bitter enemies with the head of the bird-watching group. As Ana gently investigates further, she discovers a story over sixty years old of a moonshiner’s daughter, Viola, who falls in love with a preacher’s son. The tragedies that befell them are still having repercussions.

The narrative switches back and forth between Ana’s and Viola’s points of view.

I just discovered Amanda a few years ago and have read all of her books except a novella. I’ve loved every one. The stories are well-written and the characters are easy to identify and empathize with and root for. Their situations tug on the heartstrings, but gentle humor is laced throughout as well. Grace and redemption are underlying themes.

Some of the quotes that stood out to me:

I thought I could fit everything into tidy boxes and sort right from wrong. But now I see that sometimes a saint acts like a sinner. And sometimes a sinner acts like a saint.

Those lines can seem pretty blurry sometimes. One can look just like the other from the outside. I’d say that the difference comes down to the heart. A lost sheep wants to come home but can’t for some reason. Something is getting in their way. But a prodigal is running in the opposite direction on purpose. You can’t make someone come home if they don’t want to. 

It was a mystery how some trinkets and knickknacks were alive with meaning and memory while others were soulless souvenirs. 

Did he know that what he needed for his pain was healing, not an anesthetic? The numbness he felt was not a cure. Anesthesia was not the sort of thing a body could live on.

Healing was an ongoing journey without a fixed destination.

Sometimes things don’t come to a tidy conclusion. Words are left unsaid. Things are left undone. But this life is not the end. . . . . Our present circumstances, our perceived failures, they are not final.

I loved that the birding society visited the Seven Islands State Birding Park, which I have been to.

I listened to the audiobook read by Rachel Botchan, who had a distracting habit of taking a breath in odd places. But otherwise, I enjoyed her narration.

The audiobook does not include the author’s notes, but Amanda has linked to a few interviews she did about this book here, and I found another one here.

Review: Where We Belong

Where We Belong

In Lynn Austin’s novel, Where We Belong, sisters Rebecca and Flora Hawes are traveling across the Sinai Desert on camels.

That’s particularly unusual for 1892. But neither sister is a conventional Victorian woman.

Rebecca was often bored in school as a child, thirsting for adventure. She convinced Flora to go with her to the train station and shipping line to amass information to persuade their father to take them on a trip overseas. He listened to their reasoning and planned a trip for the following summer. Rebecca found she had an affinity for languages, learning French and a little Italian for the trip. Later she added Greek so she could read Homer in his native tongue and Arabic for another trip.

She thought each journey would get the traveling and adventure bug out of her system. Instead, each journey made her want to travel more. Her father had always urged his daughters to find God’s purpose for their lives. But what could God do with a woman who loved travel, adventure, and learning and had enough wealth to finance any journey she wanted to undertake? The answer came in a surprising way.

Flora was a little more pliable and gracious than Rebecca. Flora didn’t usually initiate adventures, but she could be talked into going and always enjoyed them. She, too, struggled with assessing God’s plan for her life and almost let herself be molded into someone else’s plan for her. But then God’s leading became clear.

Each woman’s story is told in a series of flashbacks, always returning to their current desert trek. Their mother died shortly after Flora was born. They live through a meddling aspiring stepmother, the death of their father, and the Great Chicago Fire. A chance purchase of an ancient manuscript in Cairo turns out to be from an early copy of Scripture, fueling Rebecca’s desire to find more. With the recent publication of Darwin’s book and the tide of scientific discovery turning against the Bible’s truths. Rebecca feels that finding proof of such old copies of Scripture will help prove its validity and reliability. Along the way, she finds a much more personal reason for her quest.

The story is divided into five parts, each told from a different point of view: first Rebecca’s, then Flora’s, then Soren’s and Kate’s, two troubled young people that the sisters help, then back to Rebecca’s. At first Soren’s and Rebecca’s stories just seemed added on, but they did end up blending well with the overarching narrative.

Themes include the nature of Christianity, the Bible’s veracity and reliability, the responsibility of privilege, compassion for the less fortunate, being your own unique person, and finding your purpose in the world and the family of God.

I listened to the audiobook narrated by Mary Beth Light, speeding the rate up to 1.2 since the recording was a bit slow.

I saw that the novel was based on two real-life sisters, but the audiobook didn’t include the author’s notes, and my library didn’t have the book for me to look up that information. I didn’t find much information online except for a reference to twin sisters Agnes Smith Lewis and Margaret Dunlop Gibson, who also traveled, spoke many languages, and found one of the earliest copies of the gospels at Saint Catherine’s Monastery in Egypt. It looks like the novel included many details of the sisters lives but changed some, making them sisters rather than twins, describing different men from their real-life husbands, and detailing different charitable work than what’s listed.

I enjoyed the book and the trajectory of the characters’ lives.

Review: Wildwood Creek

Wildwood Creek

Wildwood Creek is the fourth and final book in Lisa Wingate’s Shores of Moses Lake series. Unlike the others, this is a dual-timeline story.

In the 1850s, Bonnie Rose O’Brien and her family were captured by the Comanche. Her parents were killed, and Bonnie Rose and her younger sister, Maggie May, were held captive for years. Upon their deliverance, Bonnie feels soiled and shameful, even though nothing that happened to her was her fault. When the missionaries she’s staying with recommend her for a teaching position in the wilderness, she sees it as a chance to start over.

In 1861, a man named Harland Delavan is starting a new community called Wildwood to search for gold in Texas. He hires Bonnie as well as others to fill the town’s needs. But he rules with an iron hand. Soon individuals and then whole families disappear without explanation. Rumors and myths spread like wildfire, creating legends that linger through the centuries.

In 2014, Allie Kirkland is following in her father’s footsteps. He was a film director, and her earliest memories involve being with him on set. When he died, Allie’s life was never the same. Her mother remarried a lawyer, and they both urged Allie to work in his firm and major in law. Allie feels she doesn’t fit in with her step-siblings and half-siblings.

When Allie learns of a summer internship for a reality TV show, she jumps at the opportunity and is hired. A famous filmmaker wants to recreate the town of Wildwood near Moses Lake Texas, and have actors represent the townspeople and live as they did while exploring the mysteries of what could have happened to them.

Before long, mysterious things begin to happen in this Wildwood, too. Allie feels a kinship with the young teacher, Bonnie Rose. Can she find out what happened before it’s too late?

It was fun to see some of the characters from the previous books again. That’s one nice thing about reading a series one right after the other–I recognized people I might not have otherwise. I think there’s enough explanation in each book that they could be read alone, but they do build on each other.

Each of the Moses Lake books involves someone whose plans are upended in some way, causing them to reconnect with a faith they’ve neglected. Each story also contains some level of mystery and the importance of community.

Reading four books of one author in succession also brings to light an author’s quirks. I think in every book, someone is said to “flash an eye tooth” at someone. I’d never heard that phrase before–I suppose it’s an idiom for a wide grin.

I listened to the audiobook, which had two different women reading Bonnie Rose’s and Allie’s sections: Morgan Hallett and Heather O’Neill. Then I checked the ebook out via Libby to look at some passages there.

I think this book is the best of the four. My only disappointment is that I was looking forward to the author’s notes about her inspiration for this series and whether any of the details or characters were based in fact, yet there were none. At the end of the third book, the author says her husband, like one of the main characters there, got an unexpected job offer in a small Texas town. So I imagine many of the details of the Moses Lake community came from that experience. I did find a guest blog post from Lisa about the book here and an interview here.

Review: Firefly Island

Firefly Island

Firefly Island is the third of four novels in Lisa Wingate’s Shores of Moses Lake series. This story doesn’t start there, however.

Mallory Hale is a congressional staffer in Washington, D. C. following in the footsteps of her lobbyist father, when she unexpectedly meets Daniel Webster Everson, a biochemist working for the USDA. After a whirlwind romance, Daniel is offered a job in tiny Moses Lake, Texas. He asks Mallory to marry him and move to Moses Lake with him and his four-year-old son, Nick.

Mallory agrees. She’s not sure kind of job a congressional staffer can find there, but she can’t live without Daniel and Nick.

A series of mishaps begins their married life in less than fairy-tale happily ever afters. The house provided with Daniel’s job has not been lived in and is infested with vermin. Daniel’s new boss, Jack, is taciturn and erratic. The small community seems to eye Jack warily.

Suddenly thrust into a new marriage, motherhood, and setting, Mallory struggles. She finds friendship with her cowgirl neighbor, Al, and a young teacher, Keren.

Mallory is suspicious of Jack. Rumors circulate about his possible involvement in the disappearance of his wife and son. He’s secretive to the point of paranoia about his business. When his politician older son, with whom he has not been involved with in years, comes to visit, more details don’t add up. Jacks’ old cabin on Firefly Island is supposedly deserted, yet there are strange boats moored there. Mallory’s search for information leads to tie-ins with her old job. Can Mallory find out what’s going on and bring it to light before a disaster happens?

If I had read this book first in the series, I probably would not have continued. It starts out like a romance novel with what seems to me a lot of silliness (does anyone say hubba hubba any more?) Though there are no explicit scenes, there are more references to the couple’s physical relationship than I care for. Then the plot seems to drag in the middle.

But the latter half of the novel comes together nicely with mystery and intrigue. I enjoyed the interactions with characters from the first two books.

Besides the adjustments with a new marriage and the mystery behind her husband’s boss, Mallory deals with interactions with the more disadvantaged section of Moses Lake. Mallory has been raised the sheltered youngest daughter of a comfortable family. When she takes Nick to a children’s activity and sees a lot of unkempt kids, she worries about lice and bad attitudes. But over time she gets to know the kids and their needs, sees them differently, and looks for ways to help. “Was I really so entrenched in the world I’d been raised in, so set in my ways that I couldn’t look beyond the surface of another person and see a human being? Was I that shallow?” (p. 214).

I also thought this was a sweet line after an encounter with Nick: “Watching him skitter away, I felt the process of loving and parting and holding on and letting go that would be our future together, his and mine” (p. 203).

So, while this wasn’t my favorite of Lisa’s books, I gained from it.

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Review: Rembrandt Is in the Wind

Rembrandt Is In the Wind

I don’t remember being exposed to classical art or even going to a museum until I got to college. My alma mater had its own art museum at the time. I remember going on a guided tour and being fascinated as the guide brought out details I would never have noticed myself. I took Art Appreciation my senior year. But that was the limit of my art education.

I’ve visited a few museums with my family since then. But I haven’t gotten much beyond wandering around the gallery and noting what I liked and didn’t.

Russ Ramsey is an excellent guide in Rembrandt Is in the Wind: Learning to Love Art through the Eyes of Faith. Not only does he bring out unnoticed details, but he draws spiritual lessons from the lives of the artists as well.

Ramsey says we learn to understand God through truth, goodness, and beauty.

In my experience, many Christians in the West tend to pursue truth and goodness with the strongest intentionality, while beauty remains a distant third. Yet when we neglect beauty, we neglect one of the primary qualities of God. Why do we do that?

The pursuit of beauty requires the application of goodness and truth for the benefit of others. Beauty is what we make of goodness and truth. Beauty takes the pursuit of goodness past mere personal ethical conduct to the work of intentionally doing good to and for others (p. 8, Kindle version).

This is the gift of beauty from an artist to their community—to awaken our senses to the world as God made it and to awaken our senses to God himself (p. 14).

Ramsey focuses on an artist and/or a specific work of art in his remaining nine chapters, which he describes as “part art history, part biblical study, part philosophy, and part analysis of the human experience. But they are all story” (p. 15).

Ramsey includes a black and white image of the paintings he discusses at the beginning of each chapter, and then a small color print at the end of the book. But I found that if a painting had a Wikipedia entry, I could click once on the painting’s image and make it full-screen, then click on it again to zoom in further. 

One of the chapters features Rembrandt, especially his Christ in the Storm on the Sea of Galilee (pictured on the cover) one of my al-time favorite paintings. I didn’t know before that Rembrandt painted “himself into several biblical scenes. He did this not for vanity but for the sake of the story. He wanted to draw us in, capture our imaginations, instruct us on how we should relate to what was happening on the canvas, and bear witness to what he believed to be true about the world he painted and his place in it” (p. 73). He’s the one looking straight at the viewer, with one hand on the rope, the other on his hat. “By painting himself into the boat in The Storm on the Sea of Galilee, Rembrandt wants us to know that he believes his life will either be lost in a sea of chaos or preserved by the Son of God. Those are his only two options. And by peering through the storm and out of the frame to us, he asks if we are not in the same boat” (p. 75).

This painting was also part of one of the most infamous art heists in history–and it has never been recovered. Ramsey shares the details of the theft.

Some of the artists, like Caravaggio, perceived beauty, and their hearts were touched and drawn to Christ, yet still didn’t submit to Him.

This is the paradox of Caravaggio—he brought so much suffering on himself, with such bravado and acrimony, yet when he picked up his brush, the Christ he rendered was the Redeemer of the vulnerable. . . He knew what it was to have the ability to render beauty that could bring a person to tears and yet remain unable to live free from his own destructive behavior (pp. 60, 64).

The chapter on Vermeer was wonderfully layered with references to light: the light God created which would make visible His creation, art’s use of light, the “borrowed light” from one source to another and from others who “illuminate the places where we’re doing our own work, and then our work lights the way for others” (p. 96).

This chapter also led to quite an interesting lunchtime discussion with my husband. Rembrandt was thought to use some kind of optical lens as he painted, not to “[pull a trick] on his viewers, He was learning to see” (p. 106). “His use of a lens was not a shortcut, but rather an innovation–the kind that gave his work a mysterious quality” (p. 104).

Rembrandt’s neighbor, and the executor of his estate, was Antoni van Leeuwenhoek, the “father of microbiology” and inventor of a “single-lens microscope that intensified light and enhanced magnification through the use of a concave mirror” (p. 100) (another facet of the theme of light). I asked my husband if he knew of van Leeuwenhoek, and of course, he did. Being interested in microscopes himself, he has a replica of one of van Leeuwenhoek’s devices.  

This chapter also discusses the influence of technology on art–not only this lens, but the tin paint tube. Artists usually painted indoors because they often mixed their own paints and had everything at hand in their studios. But with the invention of the paint tube, they could paint anywhere. “Painting is not just an art, but a science. It is an achievement not only in beauty or emotion or color, but in math and geometry and light” (p. 104).

An artist I never heard of before, but enjoyed learning about, was Henry O. Tanner, whose The Banjo Lesson was the “first recognized genre painting of blacks by an African American artist” (p. 152). He often painted an older person teaching a younger person something. But, “Though race would always play an important role in Tanner’s art, in order to expand people’s view of race, he didn’t want to become a niche artist focused only on race. . . As a man of faith, Henry believed persuading one race to regard another with equity and love was a theological endeavor, one which required a biblical view of personhood—that all people are made in the image of God and therefore share an inherent dignity and worth that transcends any human construct” (p. 156).

The last chapter tells of Lilias Trotter, who lived during the time of van Gogh, was pursued by John Ruskin as a pupil, but put aside her artistic career to become a missionary to Algiers. I had read her inspiring story before, but it was good to be reminded of it again.

A few other favorite quotes:

On the other side of the veil is the tangible glory of unfailing perfection, but it is just out of our reach. So we have given ourselves to the pursuit of making copies from the dust of the earth, compressed by time, crafted by pressure, but conceived by something more than mere imagination. Our best attempts at achieving perfection this side of glory come from an innate awareness that it not only exists, but that we were made for it (p. 38).

Ruskin believed “the greatest thing a human soul ever does in this world is to see something and tell what it saw in a plain way . . . To see clearly is poetry, prophecy, and religion—all in one” (p. 197).

A like independence is the characteristic of the new flood of resurrection life that comes to our souls as we learn this fresh lesson of dying . . . the liberty of those who have nothing to lose, because they have nothing to keep. We can do without anything while we have God (Lilias Trotter( (p. 199).

Ramsey includes a few appendices: How to Visit an Art Museum, How to Look at a Work of Art, and an Overview of Western Art: Renaissance to Modern Selected Works.

This book will be one of my top ten of this year. I enjoyed it immensely.  

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The Collected Letters of C. S. Lewis, Volume 3

Walter Hooper was an American who became something of a secretary to C. S. Lewis, or Jack, as he was known, in the latter’s final years. After Jack’s death, Hooper helped care for Warnie, Jack’s older brother, and tried to preserve some of Jack’s memorabilia. Many of Jack’s letters had been quoted by Warnie in an earlier book titled Letters of C. S. Lewis, but none is quoted in its entirety. Hooper scoured the various libraries where Jack’s papers were kept to present a comprehensive volume of his letters.

That volume ultimately became three. Volume 1 is titled Family Letters and covers 1905-1931. Volume 2 is titled Books, Broadcasts, and the War, from 1931-1949. The final volume is titled Narnia, Cambridge, and Joy, covering 1950-1963.

I chose to read the last volume first. I had read of Jack’s earlier life in Surprised by Joy and other books, but knew the least about his last several years. This book was a whopping 6,328 pages, so it has taken me a while to read it.

Lewis was a prolific letter-writer, corresponding by hand. Warnie helped him when he was home, then Hooper later. It’s obvious Jack enjoyed a great many of the letters he wrote, but answering correspondence also put pressure on him. He even asked some of his friends not to write in December, because he received so much extra mail then.

One question I had was where these letters came from. Lewis says in this volume that he did not keep copies of the letters he answered once he was done with them. He didn’t appear to use carbon copies. It’s understandable the letters to family members were kept by the recipients. But Hooper doesn’t explain how he obtained the letters written to so many people. I don’t know if he, or Warnie, or someone else put out a request to Jack’s correspondents asking for any of his letters, which were then included in various collections.

Some of the letters are lengthy and thoughtful. Some are short notes. I think some of the short notes about where to meet someone for dinner or when they were coming to visit could have been left out. But even some of these have funny or interesting spots. He writes to lifelong friend Arthur Greeves of their travel plans that since Arthur was a light sleeper and Jack “an unreasonably early riser,” they should ask at the places where they were staying to “be put in rooms not adjacent. (This is not meant as a joke!)”

Some letters were news between friends. Others were answers to questions about his writings or philosophical or spiritual queries. Some gave requested writing advice like that “wh. old Macan gave me long ago ‘Don’t put off writing until you know everything or you’ll be too old to write decently.'”

Some of his letters provided critiques requested by his correspondent of their writing. He didn’t pull any punches! But he was not unkind.

By this time, he refused most of the requests for forewords or prefaces to other people’s books. He just didn’t have time. We forget that, with all his writing, he had a full-time job teaching. He writes to one friend, “I am so busy marking examination papers that I can hardly breath! The very good ones and the very bad ones are no trouble, but the in-between ones takes ages.” Plus, he said to most of these authors that his reputation was such that he didn’t think his name in their books would be a help to them.

I thought it a little odd that no letters to Joy were here. Of course, their main correspondence would have occurred before she moved to England. Perhaps she didn’t bring those letters over, or maybe she or Jack destroyed them. They may have been too personal, concerning her own soul-searching plus problems with her first husband.

It was funny to read how he described her when she visited, though. Evidently she liked to talk a lot. He wrote one friend: “I am completely circumvented by a guest, asked for one week but staying three, who talks from morning till night.” To another he said, “Perpetual conversation is a most exhausting thing.” (I agree!)

Jack said he never appreciated parents before–her two boys were good kids, he said, but whirlwinds that left the “two old bachelors” exhausted by the end of the day.

But he tells through various letters of his developing relationship with Joy, their marriage of convenience so she could remain in England, her illness, a “real” marriage ceremony (the first was legal, but when they began to care for each other, they found a minister who would marry them in her hospital room), her miraculous recovery, and a few good years they had until she began to decline again. He writes near the end of her life, “May it please the Lord that, whatever is His will for the body, the minds of both of us may remain unharmed; that faith unimpaired may strengthen us, contrition soften us and peace make us joyful.”

Jack’s letters are filled with literary references. Hooper painstakingly annotated these, sharing the source, the location within the source, and the full quote Lewis cited.

It’s fun to see humor laced through many of the notes. He asked one friend, “What is a ‘rumpus room’? Rumpus with us means a loud noise, or row, or ‘shindy’. Do you have a special room for shouting in? (I’ve known houses where it wd. be convenient!) To another: “There’s no news at all about Cambridge cats. I never see one. No news and no mews.”

One of the great sorrows of his life was his brother Warnie’s alcoholism. Warnie would go off on benders and then go to a place to dry out, then come home, only to repeat the process later. Jack would let close friends know what was going on, but would tell others that Warnie was sick or in the hospital.

It was sad to read of Jack’s final days, knowing when he was going to die. He was to have one last trip with his friend, Arthur. But they had to cancel due to illness on both their parts. Lewis writes that he is comfortable, “But, oh, Arthur, never to see you again! . . .”

As you can imagine, I have multitudes of quotes highlighted. Here are some that stood out to me:

Of course we differ in temperament. Some (like you–and me) find it more natural to approach God in solitude: but we must go to church as well. Others find it easier to approach Him thro’ the services: but they must practice private prayer & reading as well. For the Church is not a human society of people united by their natural affinities but the Body of Christ in which all members however different (and He rejoices in their differences & by no means wishes to iron them out) must share the common life, complementing and helping and receiving one another precisely by their differences.

God loves us: not because we are lovable but because He is love, not because He needs to receive but because He delights to give.

I am going to be (if I live long enough) one of those men who was a famous writer in his forties and dies unknown–

I don’t wonder that you got fogged in Pilgrim’s Regress. It was my first religious book and I didn’t then know how to make things easy.

[On Queen Elisabeth’s coronation] Over here people did not get that fairy-tale feeling about the coronation. What impressed most who saw it was the fact that the Queen herself appeared to be quite overwhelmed by the sacramental side of it. Hence, in the spectators, a feeling of (one hardly knows how to describe it)–awe–pity–pathos–mystery. The pressing of that huge, heavy crown on that small, young head becomes a sort of symbol of the situation of humanity itself: humanity called by God to be His vice-regent and high priest on earth, yet feeling so inadequate. As if He said ‘In my inexorable love I shall lay upon the dust that you are glories and dangers and responsibilities beyond your understanding.’

How little they know of Christianity who think that the story ends with conversion: novelties we never dreamed of may await us at every turn of the road.

As long as we have the itch of self-regard we shall want the pleasure of self-approval: but the happiest moments are those when we forget our precious selves and have neither, but have everything else (God, our fellow-humans, animals, the garden & the sky) instead.

If only people (including myself: I also have fears) were still brought up with the idea that life is a battle where death and wounds await us at every moment, so that courage is the first and most necessary of virtues, things wd. be easier. As it is, fears are all the harder to combat because they disappoint expectations bred on modern poppycock in which unbroken security is regarded as somehow ‘normal’ and the touch of reality as anomalous.

We should mind humiliation less if [we] were humbler.

I’m so pleased about the Abolition of Man, for it is almost my favourite among my books but in general has been almost totally ignored by the public.

At the end of this volume, Hooper included a series of letters between Lewis and his friend, Owen Barfield, called “the Great War” in which Lewis tries to “dissuade Barfield from his belief in anthroposophy,” a “system of theosophy . . . based on the premise that the human soul can, of its own power, contact the spiritual world.” The timing of these belonged to one of the earlier volumes, but Hooper didn’t receive them until he was working on this one. I didn’t read these, because they were quite long and I couldn’t follow the reasoning. I scanned some of them.

Hooper also includes extensive biographies in the back of Jack’s regular correspondents as well as interesting details about them or their interactions with Jack (which, along with the index, makes up some of the lengthy page count). I did not read all of these, either.

I very much enjoyed reading these letters and getting to know Lewis a little better. Someday I’ll get back to the other two volumes.

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How to Find Good Christian Fiction

How to find good Christian fiction

Someone asked me recently how to find good Christian fiction. I thought I’d expand on that conversation here.

I wince when people say there is no good Christian fiction. I’ve been reading Christian fiction for around 45 years. Yes, there’s good and bad, just as there is in any genre. But for the most part, my life has been enriched and edified by my Christian fiction reading.

I wrote a very long post here about reasons to read Christian fiction. On top of all the other reasons to read generally–to learn, grow, expand our horizons, gain empathy by seeing other people’s situations and viewpoints, and so much more–Christian fiction contains the missing element: learning to look to God for help, to conform our lives to His will.

The best way to find good Christian fiction is to ask recommendations from someone you trust. I think my early forays into Christian fiction were from books loaned to me by friends. I remember one older lady in the church we attended when we were first married who was a big fan of Christian fiction and loaned out her books.

Another helpful source is Christian book bloggers. This isn’t foolproof: I’ve been burned a few times by such recommendations. But by trial and error, you can find some whose tastes are similar to yours.

Book reviews on Amazon, GoodReads, or Christian blogs are helpful. Reviews can be somewhat confusing, because I’ve seen rave reviews for books I hated and scathing reviews of books I’ve loved. But if you look at what people praise and criticize about the book, that can give you clues.

If I am looking into a new author, I look at the one- and two-star reviews of their books. If there’s some kind of problem, it’s usually mentioned there.

Another good source is the library. Our library happens to have a good section of Christian fiction. They don’t always have the latest releases, but they have more than enough to keep me busy. You can take a few books to a table and leaf through them, or check them out to try at home. Then you haven’t invested money that you’ll regret if the books aren’t to your liking.

Kindle sales are also a good way to try a new author. I don’t mind taking a chance for a dollar or two. I haven’t returned enough Kindle books to know what Amazon’s policy for returning books is for sure, but I think they have a window of time where you can return an ebook if you don’t like it.

If by “good Christian fiction” you mean something totally in line with all your beliefs and preferences, that’s going to be a little harder. You’re going to run into different preferences among Christians, among your friends, in your church, anywhere where you interact with other people. The key is to know what you believe and why and then exercise discernment.

For instance, say you don’t believe in Christians drinking alcohol, but the characters in your book do. There are probably people in your church who do as well. You would likely still interact with them and be friends with them, unless they really pushed the issue and tried to get you to drink.

I’ve handled different preferences in Christian books the same way. I can overlook the difference–unless the author seems to be making a point of emphasizing whatever the difference is.

One of the highlights of my college experience was a lecture by Dr. Ron Horton in Literary Criticism class on Objectionable Elements in Literature. One point he brought out was to look at how the element was handled.

For instance, most would agree that adultery is wrong. Some would not read a book in which a character committed adultery. But we see people who committed adultery in the Bible.

What’s essential is how the author handles adultery. Is it presented as acceptable or written in a way that promotes lust? Or, like the story of David and Bathsheba, are we spared sordid details and shown clear consequences.

Or take the whole issue of violence. War stories, murder mysteries, police dramas, and such are all going to contain violence. The Bible has a lot of violent, even gory scenes, too. But the Bible never presents violence as gratuitous. It’s not written to promote or feed into someone’s lust for violence.

Some of us are going to be sensitive to various areas, and we shouldn’t violate our conscience. For instance, I don’t want anything to do with horror or the occult, even if the “good guys” win in the end. I read a Christian fiction book once that contained extensive detail of an occult ritual. The author was not promoting the occult: he was warning against it. But that scene bothered me immensely. I didn’t need to know the details involved in those rituals. When the Bible mentions these things, it doesn’t go into enough detail to pique curiosity.

Likewise, I pretty much don’t want to know anything about a character’s sexual life. Yes, God created sex and it’s a wonderful part of life. But it’s not a spectator sport. I don’t want to know the details of a character’s intimate life any more than my friends’ or neighbors’. Most Christian fiction authors are not going to be explicit in this area, but there are a few I don’t read because I felt they crossed the line.

I hope this has been of some help. You can search in the box at the upper right hand corner above for particular books and authors I might have reviewed. Or you can email me if you have a question about one, and I’ll be glad to help if I can.

Do you have any other tips for finding good Christian fiction?
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Other posts here about Christian fiction:

(I often link up with some of these bloggers.)

Review: Blue Moon Bay

Blue Moon Bay

Blue Moon Bay is the second novel is Lisa Wingate’s Shores of Moses Lake series, contemporary fiction set in a small town in Texas. The first was Larkspur Cove (linked to my review).

In Blue Moon Bay, Heather Hampton is an architect working in Seattle. Her father was from Moses Lake, but the family only lived there a short time when Heather was in her teens. She felt like an outcast at school and protested the family’s presence in Moses Lake by dressing somewhat Goth-style. Her mother wasn’t very popular in Moses Lake, either, since she stole away a hometown guy.

When Heather’s father died, Heather, her mother, and brother moved away as soon as they could. Heather never wanted to look back.

Now her firm is about to negotiate a big deal for an industrial plant in Moses Lake, with the sale of the family’s land as part of the deal. Heather’s two older great uncles (called the “Uncs”), have plans to move to live with one of their sons. Heather thinks this is the ideal solution to provide for the family, settle the land, and close the door to Moses Lake forever–as well as look good to her boss.

Everything is set, only awaiting her mother’s signature on the documents.

But her mother doesn’t show up for the appointment.

When Heather calls her mother, she gets vague references about considering another offer, which is total news to Heather. And what’s weirder is that her mom is actually in Moses Lake with Heather’s brother, Clay.

Since Heather can’t get any clear details on the phone, she decides to fly to Moses Lake. After a series of mishaps, she finally gets there. But she still can’t get any answers from anyone. And, mysteriously, Blaine Underwood, the handsome football hero of her high school days, is somehow involved.

I know a story needs conflict to have any kind of plot. But the kind of conflict here frustrated me. It’s supposed to, though–the main character is frustrated as well. Heather is more like her father, and her mother and brother are like each other. Her free-spirited mother gives ambiguous answers, getting Heather nowhere in figuring out what’s going on. The Uncs and Clay and Blaine are not much help, either.

Nevertheless, the story wraps up nicely in the end, including some edge-of-your-seat action. Then the reason for the lack of details becomes clear.

A subplot involves the Uncs’ former housekeeper, Ruth, the one person whom Heather had loved when she lived in Moses Lake. Ruth now has cancer, and Heather visits her several times, learning more of her Mennonite history and how she came to the US from Germany as a child. I had thought this was just an interesting side trail, but it ties into the main plot.

Like the first book in the series, this one opens each chapter with “Wall of Wisdom” quotes left by visitors at the Waterbird Bait and Grocery. Some characters from the first book show up there as well as in the story.

Even though I didn’t enjoy this book quite as much as the first, I did like how it came together in the end.

(Sharing with Bookish Bliss)

Review: Larkspur Cove

Larkspur Cove

Larkspur Cove is the first of Lisa Wingate’s Shores of Moses Lake series.

Andrea Henderson has moved into her parents’ lake house in Texas with her teenage son after her husband’s betrayal and abandonment. She’s found a job as a social worker and wants to make a new start for herself and her son.

Her son, Dustin, is having a hard time making the transition. Left alone while his mom works, he ventures out with some new friends into an area of Moses Lake where boats are not supposed to go, ignoring the posted warning signs. Mart McClendon, the fish and game warden (or “boat cop,” as some call him), takes the teens in and calls their parents.

When Mart and Andrea meet, sparks fly. She thinks he is overreacting. He thinks she is some over-busy rich mom who doesn’t keep an eye on her son.

When Mart offers to let the teens take a water safety course in lieu of a fine, Andrea agrees despite Dustin’s protests.

Andrea’s work takes her into remote areas. One day when she sees an older man with a little girl in his truck, she suspects something is wrong. The little girl is not in a seat-belt and her hair is tangled with bits of leaves.

Later, Mart’s friends at a diner tell of seeing an old man with a little girl in the hills across the lake. The man, Len, is not known to have a family. He hasn’t been right mentally since he returned from Viet Nam. But he has seemed harmless. Yet, where had this little girl come from, and can a recluse like Len take care of her?

As Mart and Andrea investigate the situation, they learn more than Len’s situation. They discover their own purposes and more about each other.

I enjoyed this story. The little community around Moses Lake seems like real people, characters without being caricatures.

The Waterbird Bait and Grocery has a “wall of wisdom” where people write little sayings, and these proverbs and observations begin each chapter.

Some of the themes: first impressions aren’t always accurate; the best solutions are not always the most obvious; it takes time to heal from trauma, and others.

The audiobook was nicely read by two narrators, Johanna Parker and Scott Sowers. It was free from Audible’s Plus Catalog at the time I listened.

My only complaint is that this author has a penchant for putting several paragraphs of description or backstory in-between lines of dialogue. It can make discussions seem really stilted, especially while listening to an audiobook. I picture the other characters waiting patiently for the one with the next line to come back out of his or her thoughts and speak.

But otherwise, this was a great story. I’m looking forward to the rest.

(Sharing with Bookish Bliss)

June Reflections

June Reflections

Summer has arrived in earnest, with temperatures in the nineties this week. I’m thankful for air conditioning and ceiling fans!

I like when we get past the summer solstice. It’s hard to wind down when it’s still light outside so late.

All the plants are well-established now. I got peonies for Mother’s Day, but I think we may have missed their blooming cycle. The leaves look healthy, so we can look forward to their flowers next year. The wildflowers are prolific and provide a nice view from the windows.

We enjoyed getting together for Father’s Day with all the family (our oldest in RI was there via FaceTime). We enjoyed exploring Ancient Lore Village when they had a free weekend event. It’s full of buildings that look like they’re out of Lord of the Rings.

I had a routine cardiologist appointment, plus the appointment to renew my driver’s license and get my Real ID. I’m glad to have those behind me.

I also met with a friend to have lunch and talk about ideas for making cards.

Watching

We haven’t really watched much worth mentioning except The Courageous Heart of Irena Sendler again. It’s based on the true story of a Polish social worker who worked with the Resistance and smuggled thousands of Jewish children out of the Warsaw ghetto and placed them with other families until the war was over.

Creating

I made three Father’s Day cards, letting the Cricut do the heavy lifting this time.

This was for my stepfather:

Father's Day card

The Cricut did the writing as well as the cutting.

This was for Jim:

Father's Day card

The Cricut has some designs that can be sent to the computer to print out, then the Cricut cuts around them.

This was Jason’s:

Father's Day card

Reading

Since last time I have finished:

  • Minor Prophets 1 by the Navigators. I didn’t review this, except a brief mention on GoodReads. I was disappointed. It had a lot of questions with no answers and very little insight.
  • Code Name Edelweiss by Stephanie Landsem. Excellent! Based on a true story of Hitler trying to infiltrate Hollywood and a Jewish man with an underground network of unprofessional spies.
  • Every Hour Until Then by Gabrielle Meyer, her latest Time Crossers novel (audiobook). A young woman living in both 1888 and 1938 discovers her sister in 1888 is one of Jack the Ripper’s victims. She wants to save her sister, but knowingly changing history will cause her to lose her life in that timeline. Excellent!
  • Ribbon of Years: A Timeless Journey of Love, Loss, and Unwavering Grace is a novel by Robin Lee Hatcher (audiobook). A woman’s life story from rebellious teenager to settled woman of faith is told through objects she left behind at her death. It was just okay for me, but the friend who recommended it loved it.

I’m currently reading:

  • Exalting Jesus in 1 & 2 Thessalonians (Christ-Centered Exposition Commentary) by Mark Howell. I’ve not read this author nor this series before–giving them a try.
  • The Collected Letters of C.S. Lewis, Volume 3: Narnia, Cambridge, and Joy, 1950 – 1963, compiled by Walter Hooper. I’m getting near the end!
  • Rembrandt Is in the Wind: Learning to Love Art through the Eyes of Faith by Russ Ramsey. I am loving this so far.
  • North! or Be Eaten, the second in the Wingfeather Saga by Andrew Peterson.
  • Larkspur Cove by Lisa Wingate, audiobook.

Blogging

Besides the weekly Friday Fave Fives, Saturday Laudable Linkage, and book reviews, I’ve posted these since last time:

  • Rays of Glory. Those glorious sunbeams filtering through clouds show up because light hits dust and other particles in the air. It’s amazing that God can be glorified when His light reflects off our “dust.”
  • The Mission for My Remaining Years. There are some things we may not be able to do as we get older. But we can always share what God has taught us and point people to Him.
  • A Good Father Reflects God. No father is perfect, and some are farther from perfection than others. But God gives us a picture of a good father to help us understand His love for us.
  • Your Soul Needs Food Even When It Doesn’t Want It. When we’re sick, we still need food for health and strength even when we don’t have an appetite. The same is true spiritually.
  • Simple Card-Making Ideas. Not my usual kind of post, but a discussion of card-making with a friend grew into a blog post.

Looking ahead, I have a couple of medical appointments in July, Independence Day, and Jason’s birthday. Otherwise, it looks to be a quiet month. I hope to work on my manuscript a bit.

How’s your summer going so far?