The Lost Story of Via Belle

Via Belle

The Lost Story of Via Belle is a dual-timeline novel by Melanie Dobson inspired by the life of Grace Livingston Hill. The book is not a fictionalized retelling of Grace’s life, but it draws on some of her circumstances and experiences.

In 1940, Via Belle is the pen name of Olivia Ashe. She’s written dozens of sweet romance novels with clear Christian themes. She and her husband had built a lovely lake-side home with a turret where she did all her writing. But first their daughter died, and then her husband passed away. Olivia’s next novel is due and her publisher won’t extend her deadlines any more. But she can’t find the words.

She’s invited to be on a panel of authors at a university. She’s the only one who writes novels: the others are more scholarly or literary. She feels distinctly out of place. But she’s able to share a few things. Then a long line of female college students stay and ask her to autograph their copies of her novels.

A Professor Simon Farrow stays as well, complimenting her on her work and how she handled herself on the panel. One invitation to dinner leads to another. Though Simon is much younger, they fall into a whirlwind romance. Olivia’s words come back and she finishes her novel in record time.

Olivia and Simon marry, in spite of her Aunt Hattie’s reservations. There are things about Simon that don’t make sense, but there’s always some reason to explain away his actions.

Yet, before too long, Olivia realizes she made a mistake.

in 2006, Harper Rayne is an aspiring screenwriter. Her best friend is a movie star with a producer-father, but he doesn’t take Harper’s work seriously. After blowing an opportunity to pitch her film idea, Harper accepts the invitation of her late mother’s friend to house-sit in a small town in PA where Via Belle lived sixty years earlier. Her mother had loved Via Belle’s books, and after Harper picks up her favorite, she begins to wonder if one of Belle’s books could be turned into a movie. As she looks into Belle’s life and tries to tour her home, Harper begins to think that the life of the author herself would make a good movie. But no one seems to know what happened to Belle: she went missing, and anyone who might know anything about her has no comment.

As Harper keeps digging, she finds not only more about Belle, but also surprising connections to her own life.

Melanie shares in her end notes that she had loved Grace Livingston Hill, and this book was inspired by parts of her life as well as those of Dorothy Sayers and Agatha Christie. Grace was married to a pastor and lived in PA, where she had two daughters; Belle only had one daughter who died young. After her husband’s death, Hill married a man much younger than herself, but their marriage was eventually annulled. Belle’s situation with her second husband is where much of the fiction comes into the story. Melanie shares some of her research here, including a tour of Hill’s home.

I enjoyed the beginning of the story. The middle seemed a little soap-opera-ish to me. But I loved how everything came together at the end.

Review: The Winter Rose

The Winter Rose by Melanie Dobson is a dual-timeline novel.

Grace Tonquin is an American Quaker woman living in Vichy France during WWII. She had left behind the lifestyle of her actress mother, Ruby. Now she works with a network of others to help Jewish children escape France over the Pyrénées mountains into Spain. Grace has been told by Roland, her friend and leader, this must be her last group. Previously she had gotten the children to those who would take them over the mountains; now she must go with them. It was no longer safe for her to remain in France.

One boy, Louis, ends up having to remain behind in hiding with Helene, a woman who worked with Grace. Grace takes the remaining eleven children through various dangers until they finally arrive in Spain.

Most of the children are sent to live with relatives. Grace takes two of the children, siblings Elias and Marguerite, home with her to Oregon. She and Roland marry, and they raise the children as their own.

In 2003, Addie Hoult comes to Tonquin Lake in OR to look for any remnants of the Tonquin family. Her mentor and father-figure, Charlie Tonquin, is desperately ill and needs a transplant preferably from someone related. Charlie has always steadfastly refused to share anything about his family or his past. But Addie is determined to try to find his relatives, hopefully even his long lost sister.

I had seen films about people who helped Jewish children escape over the mountains. However, those movies ended with the children getting safely over, where it was assumed they lived happy and stable lives afterward. This book deals with the aftermath some of them faced. Even getting to safety, many of them couldn’t help but be traumatized by having to leave their homes and families, travel in difficult conditions, and witness things children should not have to see.

Some of the quotes I liked best:

She didn’t understand, nor would she ever, why God didn’t rescue everyone in this life, but it was her job, her grandfather had often reminded her, to be faithful in caring for those God gave to her (p. 37, Kindle version).

No one wants to hold you against your will. We want you to master your will so you can be in control of yourself (p. 189).

Living, I think, defies the loss. Loving well defies it, too (p. 301).

I enjoyed Melanie’s notes at the end where she told some of the history the novel was based on as well as what was fictional. She included some of that information on her website here.

When I’ve shared Melanie’s books before, some have wondered if she was related to or connected with the Dobsons of Focus on the Family. The “About the Author” page at the back of the book says, in part, “Melanie is the previous corporate publicity manager at Focus on the Family, owner of the publicity firm Dobson Media Group, and a former adjunct professor at George Fox University.” Since her husband’s last name is Dobson and she worked at Focus, I assume he is related somehow–unless the same last name is just a coincidence.

Overall, I thought this was a good book. I got a little lost in some places, unusual for Melanie’s books. But I appreciated getting to know “the rest of the story,” as Paul Harvey wold have said, behind some of the displaced children of WWII and the people who helped them. However, they aren’t the only ones in the story dealing with past wounds and needing to heal from their experiences. That seems to be the common theme among many of the characters.

Catching the Wind

Melanie Dobson’s Catching the Wind made me want to lay everything else aside to read it. But I also wanted to slow down and savor it and hated to see it end

The story opens with two children playing in 1940 Germany. Brigette Berthold is ten and wants to play nothing but princesses and knights. Dietmar Roth is a few years older and tolerates the game because Brigette is his favorite playmate. Plus he promised her father that he would help take care of her.

When the children’s parents are attacked by the Nazis, Dietmar and Brigette run. If they can make it to the English Channel and get across, Hopefully Dietmar can find his aunt.

After a harrowing journey, they finally do make it to English soil. But then they are separated.

Over 70 years later, Dietmar is a wealthy old man who goes by the name Daniel Knight. He has hired several private investigators to try to find Brigette, with no luck. Now his hopes rest in a reporter, Quenby Vaughn. He has read her stories about refugee children and knows she searches with her heart.

Quenby is working on her own story about a wealthy English woman, Lady Ricker, rumored to have helped and secretly supported the Nazis in the 1940s. Understandably, the woman’s descendants don’t want the story to run and aren’t cooperating.

When Mr. Knight’s arrogant solicitor approaches Quenby with Mr. Knight’s proposal, he’s not forthcoming enough to interest her. But she agrees to meet with Mr. Knight. When she learns that Brigette’s story ties in with the Rickers, she’s hooked.

There are several layers to this story—what happened to Brigette and Daniel, what was going on with Lady Ricker, and Quenby’s family history of a mother who abandoned her, which has crippled her ability to trust.

As one character says, “I believe God uses our pasts, even our regrets to help us and other people find Him.”

I listened to the audiobook (winner of a 2018 Audie award) nicely read by Nancy Peterson. This is one of my favorites of Melanie Dobson’s.