What’s On Your Nightstand: December 2012

What's On Your NightstandThe folks at 5 Minutes For Books host What’s On Your Nightstand? the fourth Tuesday of each month in which we can share about the books we have been reading and/or plan to read.

It’s been a lovely but busy month; nevertheless, I did get a few good reads in.

Here is what I finished since last time:

Unless It Moves the Human Heart: The Craft and Art of Writing by Roger Rosenblatt, reviewed here. Didn’t quite agree with every little thing, but overall an inspiring read.

The Bridge by Karen Kingsbury, not reviewed but a pleasant Christmas read.

The Christmas Dog by Melody Carlson, reviewed here: also a nice read.

Remembering Christmas by Dan Walsh, not reviewed: just finished it Christmas Day.

Let Every Heart Prepare Him Room, a Christmas devotional book by Nancy Guthrie.

A Christmas Carol by Charles Dickens Carrieβ€˜s Book Club December pick, reviewed here.

Audiobooks:

At Home in Mitford by Jan Karon (audiobook), reviewed here. I read this years ago and enjoyed going over it again via audiobook. A very cozy book.

Little Women by Louisa May Alcott, reviewed here. Loved revisiting this.

I am currently reading/listening to:

Journey Into Christmas by Beth Streeter Aldrich. It was recommended to me, and I am finding I am having a hard time getting into short stories, though they are fine.

A Light in the Window by Jan Karon, audiobook.

Next up: Wow, it is going to be hard to choose. I’ve had some good books waiting for me plus got some good ones for Christmas. But some of the ones I’m most looking forward to are:

Quiet: The Power of Introverts in a World That Can’t Stop Talking by Susan Cain. Heard much good about this last year.

Introverts in the Church: Finding Our Place in an Extroverted Culture by Adam S. McHugh (sensing a theme here? πŸ™‚ )

Books for Carrie’s L. M. Montgomery Reading Challenge, to be decided soon.

A Severe Mercy by Sheldon Vanakuen.

Crowded to Christ by L. E. Maxwell.

Lark Rise to Candleford by Flora Thompson.

Courting Cate by Leslie Gould, an Amish take on The Taming of the Shrew.

A Place of Quiet Rest by Nancy Leigh DeMoss

For those who like to plan ahead, I am hosting the Laura Ingalls Wilder challenge again this February. I’d love to have you join us! I’ll have more information up about it soon, but basically it involves reading anything by or about Laura during the month of February.

Book Review: A Christmas Carol

Reading to Know - Book Club

A Christmas Carol by Charles Dickens wasΒ Carrieβ€˜s DecemberΒ Book Club choice. I don’t know if I have ever actually read the book before: I think I may have long ago. But I have seen it almost every year for the last several (my favorite is the George C. Scott version). So it was nice to actually go through the book this year. I started out reading it but then switched over to the audiobook when LearnOutLoud.com offered it for free this month. It was well done: the narrator was very expressive, but her voice got just a bit irritating at the height of some scenes. But overall it was enjoyable.

ChristmasCarol-130It’s hard to review it per se because the story is so well known, but if you are not familiar with it, it’s the tale of Ebenezer Scrooge, a tight-fisted, cold-hearted, miserly, miserable person. Though he is well-off, he doesn’t live extravagantly: he doesn’t even live comfortably, keeping his office cold to avoid using coal. He has no warm or charitable thoughts for anyone, begrudges his employee a paid holiday, returns his nephew’s “Merry Christmas” with a “Bah, humbug,” flatly turns down those seeking aid for the poor, saying the work houses and such are taking care of them.

As Scrooge heads for bed on Christmas Eve, the ghost of his dead business partner, Jacob Marley, visits in him chains forged during his lifetime, and warns Scrooge that a similar fate awaits him if he doesn’t change. To encourage his reclamation, three ghosts will visit him that night. The Ghost of Christmas Past takes him back to scenes of his youth, before his heart was hardened. The Ghost of Christmas Present shows him the true state of his long-suffering clerk, Bob Cratchit and his family, including crippled Tiny Tim, happy though poor. In both the Cratchit family and his nephew’s family, Scrooge hears some not-so-flattering sentiments about himself. The Ghost of Christmas Yet to Come shows him Cratchit’s family without Tiny Tim and calloused reactions to his own death. All of these scenes work together to open his eyes, soften his heart, and cause him to change. Not only do his actions change in that he is now more generous and concerned for others, but he is now filled with joy.

This tale was published in 1843 and has been a favorite ever since. Perhaps we can all rejoice in a selfish miser getting his comeuppance, but more than that, the story can speak to our own hearts about our own self-focus and lack of concern for and generosity towards others.

I’ve spent some time pondering whether Scrooge’s change was more of a reformation, a turning over a new leaf, or a true conversion. I’m not sure what Dickens’ religious beliefs were, though he does have Christian elements in many of his books: of course, he wrote this just as a morality tale rather than a religious story, so this is just my own ruminations. There does not seem to be much mention of God, though there is reference to being like a child at Christmas because its great Founder became one, and a joyous “Heaven and Christmas Time be praised” when Scrooge realizes the visions are over and he is safe at home in bed. But at the end of his time with the last Ghost, Scrooge says, “I am not the man I was. I will not be the man I must have been but for this intercourse.” His change of heart comes on gradually as his eyes are opened: it’s not just a fear of death in the last scenes, though that’s a part of it. That’s what I hope people see: he didn’t just decide to start being generous financially, but he is a totally changed man.

I enjoyed revisiting this story and finding out that the films I have seen of it have been remarkably close to the original.

Book Review: Little Women

Little WomenI almost didn’t review Little Women by Louisa May Alcott since it is already so familiar to many people. But I couldn’t resist. It’s one of my all-time favorite books and one of the first classics I remember reading. I don’t know how many times I’ve reread it.

If you’re not familiar with the story, it’s basically about four sisters growing up in a poor family in the 1800s, based loosely on Alcott’s own family:

Meg (short for Margaret) is 16 when the story opens. Pretty, proper, lady-like, domestic, works as a governess, good except for a tendency to covet other girls’ nice things.

Jo (short for Josephine) is 15, tomboyish, spirited, clumsy, creative, dramatic, short-tempered, likes to write.

Beth, 13, is quiet, painfully shy, musical, and doesn’t venture far from home and family.

Amy, 12, is artistic, ladylike, vain, and a little pompous.

Some years ago when this story came up in a conversation, a friend said, “They were so perfect, weren’t they?” No! They were realistically flawed, but each knew their faults and tried to work on them (and did make progress during the course of the book). One scene where everyone is being fractious for various reasons while the mom (Marmee) is trying to get some mail ready that has to go out that day was very true to life in the way family life sometimes goes, even though the specifics from that time to this are different.

The family had been prosperous but suffered some financial reversals. As the story opens the father is away as a Union chaplain in the Civil War and the girls are lamenting that there is no money for Christmas presents. They each have a small amount and decide to buy something special for themselves, but later decide to use their resources to get something nice for Marmee. Those kind of struggles come up repeatedly in the book — facing some temptation (often the tendency to be dissatisfied) and the opportunity to overcome it or succumb. Sometimes they do one, sometimes the other, but always they learn from it.

When I read this as a child, I was enthralled with the activities the girls amused themselves with (their own newspaper, plays, etc.) and the striving to be good. When I read it as a young woman, I identified with Meg just after she married — the hilarious scene when the jelly wouldn’t gel after working with it all day, and tired, frustrated, and at the end of herself, that’s the day her husband brings a guest home to dinner unexpectedly. She had told him to feel free to do so and wanted to be a good little wife, but the desire clashed with reality that day. Then another day she overspent and dreaded having to tell her hard-working husband (I had a similar experience as a newlywed). At this reading I still identified with Meg a lot (in personality I’m a combination of Meg and Beth), but I found more in common with Marmee, trying to raise these spirited young people. But I also identified with Jo — not so much in her boyish tendencies but in her bumbling growth and her writing. The scenes where she is so lonely (for a couple of reasons which I don’t want to give away, if you’ve not read the book) and looking for what to do with her life are full of pathos.

In my earlier reading I had thought this book had a Christian underpinning. Later I learned that Alcott’s family were Transcendentalists. I’m still not entirely sure what that is: Wikipedia wasn’t much help. I would disagree about the inherent goodness of people (since the Bible says we are all inherently sinful and need a Savior). My friend Ann teaches high school English and discusses this — I’d love to hear that lesson! (In lieu of that maybe you could send me your notes, Ann. πŸ™‚ ) There are spiritual principles mentioned and reference to asking God for help.

Other themes include hard work, individuality, the pleasures of home, the benefits of poverty, ministering to those even poorer than themselves. Some say there are early feminist tendrils in this book — I need to read more about Alcott some time to know what her views were. The Wikipedia article on her says she was involved with women’s suffrage, and that kind of thinking is clear in the book,Β  but I don’t think she was into the extreme feminism of eschewing marriage and homemaking, especially since she does magnify home life and domesticity. She does show that every woman’s life and personality may not look exactly the same, and I’d agree with her there. Meg and Jo clash over this more than once.

I enjoyed re-experiencing many scenes, but I was surprised at some I had forgotten. One was a time when the girls were longing not to have to work, and Marmee gave them their way for a week or so. At first they reveled in their freedom, but soon grew restless. Then Marmee further reinforced the lesson by taking a short vacation herself to let the girls experience what happens when all those little humdrum duties aren’t taken care of. In this and other ways the book is a little more didactic than modern readers tend to like, yet this book has been beloved for over a hundred years.

I also rewatched the Winona Ryder version of the film Little Women during the course of this book. It did differ from the book much more than I had remembered — some lines show up in different situations than in the book, some scenes are out of order, Jo doesn’t write that kind of book at the end (in that I think they followed one of the older films, either with Katherine Hepburn or June Allyson as Jo — I think the former). There is one scene with Jo and Professor Bhaer discussing transcendentalism and German philosophers which was not in the book (I think designed to show the author’s background a bit) that was not in the book, but otherwise they didn’t add in unnecessary and irrelevant scenes and people, and I think they kept close to the spirit of the book. I still enjoy it despite the differences, and some scenes are very close to the book (Jo attending a dance with a burn mark on the back of her dress, which she tries to keep hidden, and meeting Laurie in the process, Amy’s near-drowning).

I listened to the book this time via audiobook. This type of book — a classic that I love to reread but can’t always work into my regular reading — is one of the best uses of audiobooks for me. I wasn’t thrilled with this particular narrator: she was okay but didn’t do much with different voices. But overall I thoroughly enjoyed learning and growing again with Little Women.

(This review will also be linked toΒ Semicolonβ€˜s Saturday Review of Books.)

Book Review: Unless It Moves the Human Heart

Unless it Moves the Human HeartI’ve hadn’t read anything of Roger Rosenblatt’s before, but somehow the name sounded a little familiar when I first saw the book Unless It Moves the Human Heart: The Craft and Art of Writing. The title grabbed me. Anyone who has any aspirations to write has, I think, the desire to touch someone else in some way; otherwise we’d just keep private journals.

Rosenblatt has written and won awards for columns, essays, books, and novels. He styled this book as one of his writing classes. These particular students and conversations are fictitious, but I am sure they are drawn from classes he has taught over the years. Neither the book nor the classes are very systematic: he says later in the book what I had already figured out, that he will come to class with a plan but a question from a student will carry the lesson into another direction. The interchanges do seem more like conversations than lessons, but that probably keeps them more interesting. “I may permanently forget whatever it was I originally planned to say. But it is much more exciting to allow oneself to be swung into a new and foreign path, just as in writing when you find yourself in the midst of the strangest sentence, and wonder how you got there” (p. 116).

He does work various principles into the conversations, the main one being restraint (“if you have the goods, there’s no need to dress them up,” p. 88) and “the preference of the noun to the adjective and the verb to the adverb” (p. 148), but even there he admits that “if I had foisted my preference on Keats, there would have been no Keats. And ‘rosy-fingered dawn’ is a …lot more beautiful than ‘dawn'” (p. 131).

The first part of the book had me thinking, “Wow, this is neat! I’d love to attend a class like this.” The second part had me disagreeing with him in spots.

Some of the parts I especially liked:

In a section on short stories, he says, “You know the character and his or her situation from the opening. You even know what’s likely to happen. The story is about why what you know matters” (p. 12). It struck me that in a sense that’s true of even longer stories and books. Something may be completely predictable and yet still be enjoyed because of what matters in the story.

“If we look like we’re trying to change the world, the writing will sink from the weight of its own piety. But in the best of our work, the idealism is there, like trout below the surface of the water. Of course you want to try to change the world. You just don’t want to show your cards. But look at the world. Who would not want to change it? Books count. They disturb people” (p. 59).

“There’s no purpose to writing unless you believe in significant things — right over wrong, good over evil. Your writing may deal with the gray areas between the absolutes, and all the relativities that life requires. But you still need to acknowledge that the absolutes exist, and that you are on the side of the angels” (p. 60).

“Writing is the cure for the disease of living. Doing it may sometimes feel like an escape from the world, but at its best moments it is an act of rescue. Each of you has his own way of seeing into suffering and error. But you share the desire to save the world from its blights by going deeper into them until they lie exposed. You show up the imperfections of living for what they are. You hope to write them out of existence” (p. 60).

Reading good writers “is like hanging around with a superior mind. You can never equal that mind, but you strive to do your best, and not to embarrass yourself in his presence” (p. 92).

Then there were things I wasn’t sure that I agreed with, like the following:

In contrasting writers to journalists, who have to clearly communicate, the author says “There’s a mystery to the art of writing. You write, yet you don’t always understand what you’ve written. And you’re not always understood. And you’re never fully understood. And this is a good thing– dwelling in and creating mysteries” (p. 74). I can see that to some extent, but I’d think even fiction writers want readers to understand what they’re trying to convey. Some of this kind of philosophizing got a little too metaphysical for me.

Likewise he says of a memoir, “A pure memoir meanders without achieving meaning. It avoids meaning — more like fiction that is real” (p. 88). If he means there’s no symbolism, ulterior motives or infused meaning of the writer, etc., I can agree with that. Yet I wouldn’t say there is no meaning, else no one would read it. There has to be some meaning to the life written about, the things the character did and learned. Personally I’ve drawn a lot of meaning — or maybe a better word would be inspiration — from reading biographies.

“A poet tries to identify a situation or an emotion as accurately as possible…At the same time, the poet knows that perfect identification is impossible, I think that’s where imperfection is the same thing as divine” (p. 129-130). Saying that imperfection is divine seems oxymoronic to me.

This a short book at 155 pages and reads easily. I liked the banter between Rosenblatt and his students and the fact that his representative students were a variety of ages, some even older than myself, rather than just college age. It is a secular book, so there are a few words and illustrations that I would personally find offensive but understand their being in a book like this. I enjoyed the variety of other writings that he referred to, some of which I want to explore further. Overall I found some good instruction and a lot of inspiration and food for thought in this book.

(This review will also be linked toΒ Semicolonβ€˜s Saturday Review of Books.)

Book Review: At Home in Mitford

MitfordI first encountered Jan Karon in the pages of Victoria magazine some years ago. Victoria chooses a “Writer-in-residence” whose work they showcase in each issue throughout the year, and Jan was featured one year. I loved her warmth and hominess and clear faith depicted — in fact, I was surprised and pleased that a secular magazine would feature a writer whose faith was integral to her stories. I believe it was there I also first heard of and then sought out Mitford.

At Home in Mitford is the story of Father Tim Cavanaugh, a nearly 60 year old single Episcopal priest ministering in a fictional small town in NC which is replete with colorful and sometimes eccentric characters. He is so busy with his parish that he hasn’t been on a vacation in years and can’t seem to get away for more than a day or two, and the strain is starting to show.

Then unexpectedly a dog “as big as a Buick” comes bounding into his life, an untamed, neglected boy comes into his care, and a new enchanting neighbor “pops through the hedge” to visit. The discovery of stolen jewels weighs heavily on him, he’s asked to bear burdens and secrets of his people, and a condition of his own begins to manifest itself.

I strongly disagree with this assessment that Karon “satirizes Father Tim and the citizens of Mitford.” I see no satire here at all but rather realism, warmth, humor, and pathos. The characters are clearly and lovingly drawn with flaws, quirks, and endearing features intertwined realistically. As I mentioned earlier, there is a warmth, a hominess, a coziness in Karon’s stories. Here is one example when Father Tim goes to the home of good friends for dinner:

In the center of the kitchen was a large pine table, bleached by age, with benches on either side. A mason jar of early wildflowers sat in the center, along with a deep-dish apple pie, fresh from the oven. A dazzling beam of light fell through the windows that looked out to the stables.

Their guest stood transfixed. “A foretaste of heaven!” he said, feeling an instant freshness of spirit.

And then follows gently irony as he muses on the fact that everything is calm and peaceful and nothing dramatic or surprising happens there just before he’s blindsided by major news (good news this time.)

I enjoyed as well the beginnings of a “older” romance later in the book. It’s nice to see love stories aren’t just for the young. πŸ™‚

Karon also weaves quotes from various authors, poets, and preachers throughout the book. She must be widely read but does not come across as pretentious at all.

I don’t know if her books would be classified as Christian fiction: I don’t think so. But faith is integral to the story. I had not know much about Episcopalianism before reading this book and I don’t know all the fine points of their beliefs, but the gospel is quite clearly and naturally presented.

Later books were a bit too ecumenical for me, but I could read them as a continuing part of the story, acknowledging but not agreeing with some of the happenings. The one thing that particularly bugged me was that many characters have a tendency to say “Good Lord!” or “Oh Lord,” which I perceive as taking the Lord’s name in vain, using something holy and glorious as an empty epithet. It was often said that Father Tim used such phrases as a prayer, though.

I was surprised to learn recently that this book started out as a weekly newspaper column and was begun when Jan was nearly 50 (that gives me hope that there may be a story in me yet!)

When I first read the books however many years ago, I borrowed them from the library. This time I listened to the audiobook read by stage actor John McDonough. It took me a while to get into his style. He seemed a little ponderous at first, but in some parts he reminded me of a beloved pastor from my teen and college years, and once I got into the story I enjoyed his rendition very much. Mitford is not a place to rush through, but to sit down, relax, and take your time.

I thoroughly enjoyed this revisit. the only problem now is that I want to sit down and devour the rest of the books in the series. But I’ll look forward to delving into a few more of them next year.

(This review will also be linked toΒ Semicolonβ€˜s Saturday Review of Books.)

Booking Through Thursday: Records

btt  button Booking Through Thursday is a weekly meme which poses a question or a thought for participants to discuss centering on the subject of books or reading.

I haven’t done one of these for ages, but I thought the question for this week was interesting:

Do you keep a list of the books you’ve read? How? In a journal? Through one of the online services? If so, WHY? To keep good records for future reference? To make sure you don’t accidentally reread? If not, why not? Too eager to move on to the next book? Too lazy? Never thought to bother?

I’ve only kept a list since starting my blog and I really enjoy it. Why keep a list? Well, I do get satisfaction from lists of things I’ve completed. It provides a sense of accomplishment. And it’s fun to look over and remember. At the end of the year I enjoy compiling a list of books I’ve read that year. It’s like catching up with old friends or looking through a photo album. I’ve been keeping a list for each year on my sidebar but after the first of the year I think I’ll try to compile those into one master list.

I don’t worry too much about accidentally rereading a book. I figure if I don’t remember having read it, it will probably do me good to go through it again.

I do wish I had lists from books I read from childhood. It would be interesting to see what my tastes were then, plus there are some stories that I can’t remember whether I’ve read or just seen the film of.

My most thorough lists are kept here on the blog. I do have an account at Goodreads but I’ve only recently begun to keep up with it regularly, so it only has a fraction of the books I’ve read.

Sometimes I enjoy looking through other people’s lists of books read as well, to compare notes and see if we liked the same books, to get an idea of their personality and preferences, to get ideas for my own ever-growing TBR list, etc.

 

Reading questions

Sherry at Semicolon had some questions relating to reading the other day, and I thought I’d borrow them for a post.

1. What classic book do you hate? I can think of several I was disappointed in — The Man in the Iron Mask, The Three Musketeers, and even Pride and Prejudice, but I can’t think of any I hated. Of course, one will probably come to mind about 3 seconds after I post this.

2. To what extent do you judge people by what they read? It depends on how you mean “judge.” If someone reads, say, trashy romances by preference, that does say something about them. In fact, one favorite book blogger I used to read went from having a vibrant testimony to reading those kinds of books to posting almost exclusively from those kinds of books to then getting divorced to now never saying anything about the Lord.

On the other hand, I think reading various book bloggers has opened my eyes to the fact that good people can have widely varying tastes, and some can be interested in things I am not interested in, and that’s okay. And some can have good reasons for reading things that I wouldn’t. And just because the Christian community raises an outcry against a book doesn’t mean it’s worthless, though there are a handful whose opinions I would greatly trust.

3. What television series would you recommend as the literariest? If you mean what series referenced the most books, “LOST” referred to many and often had people scrambling to read books shown or mentioned on the series for clues about it. If you mean what seriesΒ  stayed closest to its book origins…I think I’d agree with Sherry‘s answer of the “Pride and Prejudice” with Colin Firth, which was originally a TV mini-series, or the first “Anne of Green Gables” film (also originally a PBS series), or the very early days of “Little House on the Prairie.” Both of the latter two strayed wildly from their origins as they went on (which doesn’t make sense. A series is a success because it’s based on beloved books and characters, and then producers want to go a completely different direction with them…no, it just doesn’t make sense.)

4. Describe your ideal home library.

Oh, I dunno, maybe this one? πŸ™‚

Incidentally, while looking for that link, I came across a post showing different libraries in films that was pretty neat, though I’d not recommend all the films listed. The site Beautiful Libraries is a feast for book-loving eyes.

Though I prefer light, airy colors for decorating most of the time, I do like some warmth in a library. I’d like a plethora of real wooden bookshelves, with a desk or table to spread things out on, some cozy seating with rich upholstery, a window seat, good lighting, big windows and a fireplace. A ceiling like the one in the Biltmore Library would be a plus. πŸ™‚ I fact, I like everything about that library except the red upholstery.

5. How do you decide what to read next?

I usually have a few books at a time stacked up to read and choose from there. If I’m participating in a challenge like Katrina’s Fall Into Reading, I might check the library or choose from what’s on the list. I also keep a running “To Be Read” list compiled from books I see others recommending. From one of those stacks or lists I usually just go by whatever strikes me as interesting at the moment, but there are some books I have to “make” myself get into. Sometimes I end up enjoying that kind, others I have to make myself keep going (not because it is not worthwhile or uninteresting — I’ll dump that after a fair try — but just because there are some books I don’t gravitate to. Though I benefit from nonfiction, I do usually have to make myself start and keep with it.)

6. How much do you talk about books in real life (outside of the blogging community)?

Not much but probably more than most people I know. I don’t know many people “in real life” who like to read much. I do often find myself mentioning something I read or recommending a book.

I do try to be careful about not just recommending a book when someone is talking about a problem. It’s natural for my mind to go that way, but some years back I read of someone exasperated at people “throwing books” at whatever problem she was talking about. While the recommended books would probably be helpful, there are times someone needs an answer, an expression of sympathy, etc, in the moment.

Feel free to borrow these as well, and let me know if you do!

Book Review: The Christmas Dog

Christmas DogBetty Kowalski is having trouble obeying the Bible’s command to love her neighbor. Her neighbor isn’t making it any easier, with a heated dispute over a fence between their properties, a pile of rubbish in the yard, including her former neighbor’s prized pink toilet, remodeling noise all hours of the day and night, and now his dirty, pesky dog doing his business on her dogwood tree.
Add to that an unexpected visit from a troubled granddaughter, an upset in her son’s family, and a promise to help with a friend’s 50th anniversary celebration, and Betty has her hands full.

Christmas books can sometimes be overly sentimental, but The Christmas Dog by Melody Carlson was a delightful surprise. I figured I knew where things were headed with the dog, given the book’s title, but Betty’s transition from curmudgeon to caring Christian was both heart-warming and convicting.

(This review will also be linked toΒ Semicolonβ€˜s Saturday Review of Books.)

What’s On Your Nightstand: November 2012

What's On Your NightstandThe folks at 5 Minutes For Books host What’s On Your Nightstand? the fourth Tuesday of each month in which we can share about the books we have been reading and/or plan to read.

It seems so long since the last Nightstand, though it has only been the usual time frame. It’s been a busy month.

Here’s what I finished since last time:

The Discipline of Grace by Jerry Bridges withΒ Challiesβ€˜ β€œReading Classics Together” group. I didn’t review the book as a whole since I discussed it chapter by chapter (you can find those discussions here if you like.) Overall a great book. I appreciated the balance.

Uncle Tom’s CabinΒ forΒ Carrieβ€˜s Book Club October pick, reviewed here. A thought-provoking classic.

Wildflowers of Terezin by Robert Elmer, reviewed here. Loved this one. A WWII story set in Denmark, involving a secular Jewish nurse and a Lutheran priest reluctant to fight against oppression until he sees its human face.

Allerednic: A Regency Cinderella Tale–In Reverse by Chautona Havig, not reviewed. I had great expectations for this one, but I found it a little boring.

The Hobbit (audiobook), reviewed here. Loved the story and the audiobook.

C. S. Lewis’s Space Trilogy: Out of the Silent Planet, Perelandra, and That Hideous Strength, reviewed all together here. I listened to these via audiobook but had to get the books from the library and go over certain sections again. Maybe not quite as loveable a series as Narnia, but it makes some excellent points.

Thriving at College: Make Great Friends, Keep Your Faith, and Get Ready for the Real World! by Alex Chediak. Just finished last night; review is hot off the press here.

I’m currently reading/listening to:

Unless It Moves the Human Heart: The Craft and Art of Writing by Roger Rosenblatt. Twenty pages last night went by in a flash: looking forward to reading more.

At Home in Mitford by Jan Karon (audiobook). I read this years ago and I am enjoying going over it again via audiobook. A very cozy book.

Next up:

The Bridge by Karen Kingsbury

The Christmas Dog by Melody Carlson

A Christmas Carol by Charles Dickens for Carrieβ€˜s Book Club December pick. I have a whole book of Dickens’ Christmas stories…I may or may not peruse more of them if I have time.

I also have my last Fall Into Reading book,Β  The Christian Imagination by Leland Ryken. I’m not sure I will get to it between Christmas activities and wanting to get a couple of Christmas reads in. I should know better than to leave nonfiction last. I want to — I like to complete my lists! — but if I don’t read it this month it will still be there in January. It’s not something I want to rush through just to complete by a deadline.

What are you reading? Got any special books lined up for December?

Book Review: Thriving at College

Thriving at College: Make Great Friends, Keep Your Faith, and Get Ready for the Real World! by Alex Chediak is styled as something like a chat over coffee sharing what the author wished someone had told him when he was in college. The goal is to help students make the best of their college years and then be ready to go forth as responsible Christian adults. He covers a great variety of topics, including:

How high school is different from college

Assuming responsibility

Considerations in choosing secular or Christian, large or small schools

What you will likely have to deal with as a Christian in a secular college

Good sleep and eating habits in college

Being busy vs. being diligent and fruitful

Considerations in making a schedule

Extracurricular activities that enhance your college experience

Friendships and dating

How to best interact with professors

Becoming independent from parents

Personal finances

Work ethic

Balancing work and play

Recognizing your calling and choosing a major

Getting the most out of your classes

Studying

Preparing for tests

Internships

Owning your faith

Here are some of the standout quotes:

“Real tolerance [is] vigorous disagreement combined with a gracious demeanor, respect, and kindness” (p. 17).

Re the charge that Christians want to force their beliefs on others: “True Christianity cannot be spread by force because it requires individuals voluntarily declaring their allegiance to Jesus Christ” (p. 17).

“Many of the deepest joys require saying no to lesser pleasures that would only kill your ability to enjoy the real deal” (p. 18).

“Every one of [God’s commandments] was meant to help us avoid destroying our capacity to enjoy the greatest pleasures” (p. 20).

“Resolve now not to go there. But don’t just say no; say yes to something better. Decide now to form strong friendships with like-minded peers who share your ideas of a good time” (p. 20).

“Is God going to occupy a compartment of my life, or will He be central?…Don’t squeeze God into your plans; find your place in His plan” (p. 26).

“College is a temporary season of academic preparation and growth so that you can serve God effectively with the rest of your adult life…a springboard into all that goes with responsible Christian adulthood” (p. 26-27).

“Those afraid to risk failure seldom have to face success” (p. 75).

Re time management: “Whatever you don’t rule will rule you” (p. 124).

“While recreation is the purposeful attempt to restore or refresh creative energy, entertainment is often more on the mind-numbing end of the spectrum, possibly failing to rekindle mental energy” (p. 188-189).

I appreciate the emphasis and balance in this book as well as the plethora of useful information. I like very much that he reviewed information at the end of each chapter and at the end of the book. Nonfiction books are getting away from that, but it’s very helpful in pulling the basic points together, especially when you’ve read a chapter in pieces over several days.

I might disagree just a smidgen with a couple of nuances in a couple of discussions (not worth mentioning but for those who would wonder, one was whether God has “a” will for your life as opposed your choosing what you think best under His guidance; the other was in the discussion about becoming independent from parents. Overall he made valuable points in both discussions). But I can highly recommend this as an excellent resource.

(This review will also be linked toΒ Semicolonβ€˜s Saturday Review of Books.)